Please note: this article dates to Old Time Blues’ first year and does not meet the standard of quality to which more recent postings are held. Thank you for your understanding.
I’ve been featuring a lot of jazz recently, and I think it’s about time for a change of pace, so today I offer this old time country record for your enjoyment.
When I bought my VV 4-4 Victrola a while back, along with it came a collection of about sixty or seventy records in the Victrola’s original albums. Most of these records were standard popular fare of the 1920s: Gene Austin, Waring’s Pennsylvanians, and plenty of waltzes. However, as I flipped to the last couple of pages in one album, I discovered three records on the Broadway label, which are always fun to find. One of them was a popular song pairing, the other two were old time fiddle records.
This one, Broadway 8114 is credited to “Harkins and Moran”, an alliterative pseudonym for actual artists Sid Harkreader, fiddle and Grady Moore, guitar. It was recorded in June of 1927 at the Chicago studios of the New York Recording Laboratories (of Paramount fame). It was also issued on Paramount 3023, and “John Henry” was issued on Herwin 75532 with different backing.
The duo’s fine rendition of the old folk song “John Henry” is marred by a large edge flake that necessitated a small amount of audio restoration, but I think it cleaned up fairly well. The same set of lyrics was sung by Harkreader’s associate Uncle Dave Macon in his memorable rendition.
John Henry, recorded June 1927 by Harkins and Moran.
On the flip side, Harkreader and Moore play the classic “Old Joe”, a track that was featured on Volume 2 of Yazoo’s compilation, “Times Ain’t Like They Used To Be: Early American Rural Music”. Real fine fiddle music.
A crop of the only known photograph of Lemon Jefferson, as was pictured in the Paramount Book of Blues.
On this day, we celebrate the probable birthday of the great blues man Blind Lemon Jefferson, so for this momentous occasion, I present to you a great treasure of the Old Time Blues collection, which happened to have been recorded on Lemon’s thirty-sixth birthday.
Lemon Henry Jefferson was born most likely on September 24, 1893 (though, as is so often the case with early blues people, this date is disputed), one of seven children born to a family of poor sharecroppers in Coutchman, Texas (or “Couchman” as the locals seem to spell it, though the former is correct according to the Texas Almanac), near Tehuacana Creek and about five miles west of Streetman, in Freestone County. He was blind from infancy, though the full extent of his visual impairment is debatable—some, including Victoria Spivey, have suggested that he may have had limited sight, and he was reputed to have been able to fire a gun with considerable accuracy. Lemon took up the guitar in his teens and played at picnics and rent parties, or “booger roogers” as he called them, in East Texas. He later took up in Dallas, and in the 1910s worked frequently in Deep Ellum, often playing with fellow musicians such as Huddie “Lead Belly” Ledbetter and Alger “Texas” Alexander. In late 1925 or early ’26, a time when most of recorded blues consisted of the vaudevillian variety of women singing with a jazz band backing, Blind Lemon traveled to Chicago to record for Paramount records. Between 1926 and 1929, Jefferson recorded around a hundred songs for Paramount, and made one additional record with Okeh. In addition to recording, Lemon also gigged all around the southeastern United States, along the way meeting other blues musicians like King Solomon Hill, who would later record as “Blind Lemon’s Buddy”. Blind Lemon Jefferson died under mysterious circumstances in Chicago at 10:00 AM on December 19, 1929, Paramount paid for his body to be shipped back to Texas, where he was buried in the Wortham Negro Cemetery.
Paramount 12872, featuring “Bed Springs Blues” and “Yo Yo Blues”, was recorded September 24, 1929—Lemon’s birthday—in either Chicago, Illinois, or Richmond, Indiana. This proved to be Blind Lemon Jefferson’s final recording session. The condition’s pretty rough on this one, but I think the music still comes through. Now, two years after my original posting, a new Grado cartridge has facilitated a much finer quality of transfers than my originals. Though still plagued by some groove stripping and plenty of pops and clicks, they are now much crisper and clearer, and those pesky skips have been all-but-eliminated.
First, Lemon’s “Bed Springs Blues” provides an excellent demonstration of Lemon’s unique style of playing guitar. “Tell me why do them springs tremble so on your bed, baby!”
Bed Springs Blues, recorded September 24, 1929 by Blind Lemon Jefferson.
On the flip, Lemon performs his own “Yo Yo Blues”. A number of songs carrying the same title were recorded around the same period—most notably by Barbecue Bob—opening with “got up this morning, my yo-yo mama was gone,” but Lemon’s is a different song, instead starting with “I would go yo-yoin’, but I broke my yo-yo string.”
Yo Yo Blues, recorded September 24, 1929 by Blind Lemon Jefferson.
Updated with improved audio on July 28, 2017, and again on February 21, 2023.