June Cole | Old Time Blues

Please note: this article dates to Old Time Blues’ first year and does not meet the standard of quality to which more recent postings are held. Thank you for your understanding.

In celebration of the 118th anniversary of Smack Henderson’s birth, here is a record I searched for long and hard, before I was fortunate enough to find this 1940s John Steiner reissue. This near mint dub trades some of its audio fidelity for a much cleaner and smoother surface than I’d be likely to find on the original Paramount issue, which was once speculated in 78 Quarterly to have “less than ten copies.”

Paramount 14012 was recorded May 11, 1927 in New York City and was originally issued on Paramount 12486. This issue is a 1948 dub made by record collector and producer John Steiner. The band features the talent of Joe and Russell Smith on trumpet, Benny Morton on trombone, Buster Bailey and Don Redman on clarinet and alto sax, Coleman Hawkins on tenor sax and clarinet, Fletcher Henderson on piano, Charlie Dixon on banjo, June Cole on tuba, and Kaiser Marshall on drums. The label erroneously credits Tommy Ladnier, who does not play on this record.

“Swamp Blues” tops my list of all-time favorite jazz recordings, and was the reason for my purchasing the record.

Swamp Blues, recorded May 11, 1927 by Fletcher Henderson’s Orchestra.

Perhaps even hotter than the previous, “Off to Buffalo” is another superb jazz side, not to be confused with the similarly titled Warren and Dubin song “Shuffle Off to Buffalo” from Forty-Second Street.

Off To Buffalo, recorded May 11, 1927 by Fletcher Henderson’s Orchestra.

Updated with Improved audio on June 19, 2017.

Accompanying this record is a tale of tragedy. After long searching far and wide for an original Victor issue of Fletcher Henderson’s “Variety Stomp”, I was thrilled when a promising copy turned up on eBay, and I was able to win for an excellent price. When the record was finally delivered, I opened the package to discover in horror that it was woefully insufficient to protect the contents from careless postal workers, and what would have been a nice V+ record was snapped in two pieces, just about through the middle. The seller very kindly refunded the cost, and the record sat dejectedly for months on my broken record pile.

It wasn’t doing any good just sitting there, so eventually I decided to try my hand at repairing it, and with the remains of Victor 20944 and a tube of superglue, I carefully lined up the two halves of the record, and put a dollop of glue on the outside edges, and in the runout area on both sides. After the glue dried came the moment of truth, I brought the repaired record to my turntable and to my surprise and relief, it tracked perfectly, and played through with only two surprisingly minor background clicks.

I have since acquired Henderson’s Bluebird issue of take 2 of “Variety”, and his acoustical recording on Harmony, but my heart still yearns for a better copy of this record. Maybe someday.

Below, you can hear the results of my efforts, straight from the turntable, with no cleaning up or modification of any sort to the audio, as well as digitally cleaned up versions attempting to remove the clicks from the crack.

Victor 20944 was recorded April 27, 1927 at the Victor studios in New York City, and released in November of ’27. Besides Henderson on piano and directing, the all-star lineup includes Joe and Russell Smith, and possibly Tommy Ladnier on trumpet, Benny Morton and Jimmy Harrison on trombones, Buster Bailey and Don Redman on clarinet and alto sax, Coleman Hawkins playing his famous tenor sax, Charlie Dixon on banjo, and June Cole and Kaiser Marshall on tuba and drums, respectively.

On “A”, Henderson’s Orchestra plays hot on “St. Louis Shuffle” (take 2), composed by Jack Pettis and Thomas “Fats” Waller.