Victor 25090 – Benny Goodman and his Orch. – 1935

By many accounts, the swing era kicked off on August 21, 1935, when Benny Goodman’s band played the Palomar Ballroom in Los Angeles, California.  They say that Goodman’s boys were playing it on the sweet side, with stock arrangements and little swing, and the crowds weren’t much having it.  Amongst the yawns, Gene Krupa suggested, “If we’re gonna die, Benny, let’s die playing our own thing,” and so the band got out their hot Fletcher Henderson arrangements and hepped the cats to kingdom come.  Thus, the swing era was born.

Swing as a genre had emerged earlier in the decade, as the largely distinct styles of hot jazz and orchestrated dance music of the 1920s began to converge as one: jazz made for dancing.  Early exponents of the style included the orchestras of Fletcher Henderson, Don Redman, Cab Calloway, the Casa Loma Orchestra, and others.  Of course, there’s more to it than that, but you’ll have to ask a musician about it, ’cause I couldn’t tell you.

In a session supervised by Ed Kirkeby, Victor 25090 was recorded on July 1, 1935 at RCA Victor’s Studio 2 in New York City.  It was released on July 31, exactly four weeks prior to his date at the Palomar.  In the band are Bunny Berigan, Ralph Muzillo, and Nate Kazebier on trumpets, Sterling Ballard and Jack Lacy on trombones, Benny Goodman on clarinet, Toots Mondello and Hymie Schertzer on alto saxophones, Arthur Rollini and Dick Clark on tenor saxes, Frank Froeba on piano Allan Ruess on guitar, Harry Goodman on string bass, Gene Krupa on drums

Benny Goodman’s famous recording of Fletcher Henderson’s arrangement of Jelly Roll Morton’s “King Porter” (Stomp) received high marks from the music publications of the day, and rightly so, it’s a masterwork.  Henderson’s own band recorded variations of the arrangement at least thrice, first in 1928 for Columbia, then for Okeh in 1932 as “New King Porter Stomp”, and finally for Vocalion in 1933.  Whether or not Benny’s band played this one at the Palomar Ballroom, I really don’t know, but it seems likely.

King Porter, recorded July 1, 1935 by Benny Goodman and his Orch.

On the reverse, they play a little less hot, but nonetheless excellent on “Sometimes I’m Happy”, from Hit the Deck—another Henderson arrangement.

Sometimes I’m Happy, recorded July 1, 1935 by Benny Goodman and his Orch.

Victor 36205 – Benny Goodman and his Orchestra – 1937

Please note: this article dates to Old Time Blues’ first year and does not meet the standard of quality to which more recent postings are held.  Thank you for your understanding.

Besides Prohibition, another momentous event that occurred on January 16 was Benny Goodman’s legendary concert at Carnegie Hall, which happened in 1938.  It was the first jazz concert ever held at Carnegie Hall, and has been credited as the event that brought swing jazz into the mainstream.  Though Goodman was initially hesitant to take the gig, he did following the success of Hollywood Hotel, in which he appeared.  At first, the audience’s reception was lukewarm, but soon Benny won them over, and it became one of the greatest landmarks in music history.  Particularly popular with the audience were Martha Tilton’s swinging of the Scottish folk song “Loch Lomond” (how’d you like for me to post the record of one sometime?), and the band’s legendary performance of Louis Prima’s “Sing, Sing, Sing”. The entire concert at Carnegie Hall was recorded and released by Columbia Records on the new LP format in 1950.

Ordinarily, I wouldn’t post two records in the same day, but the date of Goodman’s concert came to me long after I had already planned the other one, so all you lucky readers get a two-fer today.

Victor 36205 was recorded July 6, 1937 in New York City by Benny Goodman and his Orchestra.  This one was not recorded at the Carnegie Hall concert, but rather a few months earlier, around the time he was filming Hollywood Hotel.  According to the label, the band includes Benny Goodman on clarinet, Hymie Schertzer, Arthur Rollini, George Koenig, and Vido Musso on saxophones, Harry James, Chris Griffin, and Ziggy Elman on trumpets, Murray McEachern and Sterling “Red” Ballard on trombones, Harry Goodman on string bass, Jess Stacy on piano, Allan Ruess on guitar, and Gene Krupa (whose birthday was just yesterday, the 15th) on drums.

Here it is, the legendary “Sing, Sing, Sing”, played with a bit of “Christopher Columbus” interpolated within.  Both sides of a longer playing twelve inch 78 played end-to-end for your listening pleasure.

Sing Sing Sing

Sing Sing Sing (Parts 1 & 2), recorded July 6, 1937 by Benny Goodman and his Orchestra.