Okeh 8571 – Troy Floyd and his Plaza Hotel Orchestra – 1928

The Lone Star State in the 1920s was home to a host of fantastic territory jazz bands, such as those of Alphonso Trent, Eddie Fennell and Sugar Lou Morgan, Fred Gardner, Jimmie Joy, and Le Roy Williams.  One of the most outstanding of these territory bands, both in musical virtuosity and history, was that of Troy Floyd.  Floyd’s eleven piece orchestra played at the Plaza Hotel in San Antonio, and gigged on-the-side at the Shadowland, a notorious speakeasy and one of the most successful jazz clubs in Texas.

Troy Floyd was born around San Antonio, Texas on January 5, 1901, and learned to play the saxophone and clarinet. He organized his first group, a sextet, in 1924. The group expanded over time, and by 1928, Floyd’s orchestra was playing at the Plaza Hotel and broadcasting on KTSA.  Floyd’s band made two released records, both featuring one song broken up into two parts, plus an unissued recording of “Wabash Blues” on two of Okeh Records’ field trips to San Antonio.  Floyd’s band holds special significance in Texas’ musical legacy, for, in addition to its own merit, it helped to launch the careers of at least two musicians of note; in the 1930s, New Orleans born trumpeter Don Albert started his own Texas-based swing band, and banjoist J.H. Bragg founded a jazz group of his own, both of which made several records with Vocalion in the 1930s.  Troy Floyd disbanded his orchestra in 1932, and later worked as a pool hall operator in San Diego, California, where he died on July 16, 1953.

Okeh 8571, part of their legendary race series, was recorded March 14, 1928 in San Antonio, Texas. The personnel features future band leader and trumpet virtuoso Don Albert and Willie Long on trumpets, Benny Long providing unique solos on trombone, Troy Floyd and N.J. “Siki” Collins on clarinet and alto sax, Scott Bagby on clarinet and tenor sax, John Henry Bragg on banjo, Allen Vann on piano, Charlie Dixon (a different one from Fletcher Henderson’s banjoist) on trombone and tuba, John Humphries on drums, and the bellowing Kellough Jefferson singing the vocal refrain.

The title of “Shadowland Blues” refers to the San Antonio speakeasy of the same name, though the lyrics, sung by Kellough Jefferson, make no reference to the club. This amazing territory band recording is characterized by what has been called the “gut bucket” trombone playing of Benny Long, which some have said mars the performance, but I disagree, I think it gives it a unique and rural character, as opposed to homogenized classically-trained, Whiteman-esque jazz.

A two-parter, they play “Shadowland Blues (Part 1)” on the first side…

Shadowland Blues (Part 1), recorded March 14, 1928 by Troy Floyd and his Plaza Hotel Orchestra.

…and “Shadowland Blues (Part 2)” on the back.

Shadowland Blues (Part 2), recorded March 14, 1928 by Troy Floyd and his Plaza Hotel Orchestra.

Updated with improved audio on July 9, 2017, and again on June 11, 2024.

Okeh 8511 – “Texas” Alexander – 1927

Going back now to the music of America’s roots, I offer a classic albeit worn blues record by great bluesman “Texas” Alexander.

Alger “Texas” Alexander was born in Jewett, Texas on September 12, 1900.  Playing at functions in the Brazos River bottomlands of his home state, he sometimes worked with contemporary and fellow Texas blues musician Blind Lemon Jefferson.  Alexander traveled to New York City to make his first recordings for Okeh Records in 1927, and made many further recordings back home in Texas.  Unable to play any musical instrument, he was backed on his recordings by various sidemen and groups, including the Mississippi Sheiks for one session. Although Alexander has long been cited as serving five years in the penitentiary in Paris, Texas for the 1939 murder of his wife, modern research yields no evidence of that being true, as no records exist of Alexander serving, and in fact, no prison ever existed in Paris, Texas.  More likely, Alexander served on a county work farm for publicly singing songs with lewd lyrics.  Texas Alexander continued to record in the 1940s, and made his last recordings with Benton’s Busy Bees in 1953 before dying of syphilis the next year.

Okeh 8511 was recorded on August 11 and 12, 1927 and is “Texas” Alexander’s second issued record from his first recording session, and probably his best selling Okeh.  Alexander is accompanied by the always excellent Lonnie Johnson on guitar.  This record, as many, if not most of this type of record are, has seen better days and plays rough.  Nevertheless, the music is still audible, albeit over heavy noise.

On the first side, Alexander moans his way through the classic “Long Lonesome Day Blues”.

Long Lonesome Day Blues, recorded August 11, 1927 by "Texas" Alexander.

Long Lonesome Day Blues, recorded August 11, 1927 by “Texas” Alexander.

“Corn-Bread Blues”, a little worse for wear, features that classic line, “they cook cornbread for their husband, and biscuits (or is it ‘brisket’?) for their man.”

Corn Bread Blues, recorded August 12, 1927 by "Texas" Alexander.

Corn Bread Blues, recorded August 12, 1927 by “Texas” Alexander.

Updated with improved audio on July 1, 2017, and again on May 3, 2023.

Paramount 12872 – Blind Lemon Jefferson – 1929

A crop of the only known photograph of Lemon Jefferson, as was pictured in the Paramount Book of Blues.

On this day, we celebrate the probable birthday of the great blues man Blind Lemon Jefferson, so for this momentous occasion, I present to you a great treasure of the Old Time Blues collection, which happened to have been recorded on Lemon’s thirty-sixth birthday.

Lemon Henry Jefferson was born most likely on September 24, 1893 (though, as is so often the case with early blues people, this date is disputed), one of seven children born to a family of poor sharecroppers in Coutchman, Texas (or “Couchman” as the locals seem to spell it, though the former is correct according to the Texas Almanac), near Tehuacana Creek and about five miles west of Streetman, in Freestone County.  He was blind from infancy, though the full extent of his visual impairment is debatable—some, including Victoria Spivey, have suggested that he may have had limited sight, and he was reputed to have been able to fire a gun with considerable accuracy.  Lemon took up the guitar in his teens and played at picnics and rent parties, or “booger roogers” as he called them, in East Texas.  He later took up in Dallas, and in the 1910s worked frequently in Deep Ellum, often playing with fellow musicians such as Huddie “Lead Belly” Ledbetter and Alger “Texas” Alexander.  In late 1925 or early ’26, a time when most of recorded blues consisted of the vaudevillian variety of women singing with a jazz band backing, Blind Lemon traveled to Chicago to record for Paramount records.  Between 1926 and 1929, Jefferson recorded around a hundred songs for Paramount, and made one additional record with Okeh.  In addition to recording, Lemon also gigged all around the southeastern United States, along the way meeting other blues musicians like King Solomon Hill, who would later record as “Blind Lemon’s Buddy”.  Blind Lemon Jefferson died under mysterious circumstances in Chicago at 10:00 AM on December 19, 1929, Paramount paid for his body to be shipped back to Texas, where he was buried in the Wortham Negro Cemetery.

Paramount 12872, featuring “Bed Springs Blues” and “Yo Yo Blues”, was recorded September 24, 1929—Lemon’s birthday—in either Chicago, Illinois, or Richmond, Indiana.  This proved to be Blind Lemon Jefferson’s final recording session.  The condition’s pretty rough on this one, but I think the music still comes through.  Now, two years after my original posting, a new Grado cartridge has facilitated a much finer quality of transfers than my originals.  Though still plagued by some groove stripping and plenty of pops and clicks, they are now much crisper and clearer, and those pesky skips have been all-but-eliminated.

First, Lemon’s “Bed Springs Blues” provides an excellent demonstration of Lemon’s unique style of playing guitar.  “Tell me why do them springs tremble so on your bed, baby!”

Bed Springs Blues, recorded September -, 1929 by Blind Lemon Jefferson.

Bed Springs Blues, recorded September 24, 1929 by Blind Lemon Jefferson.

On the flip, Lemon performs his own “Yo Yo Blues”.  A number of songs carrying the same title were recorded around the same period—most notably by Barbecue Bob—opening with “got up this morning, my yo-yo mama was gone,” but Lemon’s is a different song, instead starting with “I would go yo-yoin’, but I broke my yo-yo string.”

Yo Yo Blues, recorded September -,1929 by Blind Lemon Jefferson.

Yo Yo Blues, recorded September 24, 1929 by Blind Lemon Jefferson.

Updated with improved audio on July 28, 2017, and again on February 21, 2023.