Brunswick 4936 – The Jungle Band/Cab Calloway and his Orchestra – 1930

Posted on December 27, 2015 by R. Connor Montgomery

Cab Calloway in his early years as a bandleader, circa 1930. Pictured in Of Minnie the Moocher & Me.

Besides Christmas, December 25 marks another important date in history, the birthday of Cab Calloway. As a belated celebration of that anniversary, here is Cab’s first record, with two takes of his first recordings. This record was made soon after Cab took control of the excellent Harlem band, the Missourians, who had played at the Cotton Club under Andy Preer in the middle of the 1920s. After departing from their Cotton Club engagement when Preer died and Duke Ellington replaced them in 1927, they returned in the early 1930s under the leadership of Cab Calloway.

Brunswick 4936 was recorded July 24, 1930 in New York City. The band includes the same basic personnel as the Missourians, with R.Q. Dickerson, Wendell Culley, and Lammar Wright on trumpets, De Priest Wheeler on trombone, William Thornton Blue on clarinet and alto sax, Andrew Brown on clarinet, alto sax, and bass-clarinet, Walter “Foots” Thomas on tenor sax, alto sax, and baritone sax, Earres Prince on piano, Morris White on banjo, Jimmy Smith on tuba, and Leroy Maxey on the drums. This record stayed “in print” for many years, I even have a 1938-39 silver label Brunswick issue of it. Also recorded at this session was an unissued take of “I’ll Be a Friend (With Pleasure)”; I don’t know of any surviving copies of that recording. You may note that the first issue label credits “The Jungle Band”, a pseudonym that was typically given to Duke Ellington’s recordings on Brunswick, the only exceptions that I know of being this one and Chick Webb’s first recording.

Two takes were recorded of Cab Calloway’s very first recording, “Gotta Darn Good Reason Now (For Bein’ Good)”. The second take was released first, presumably because either Cab or the producers at Brunswick preferred that take, and it seems more polished than the first, where Cab seems more hesitant. Later pressings used the first take, likely because the original stamper was beginning to wear out. Here, the sound files are included in order of release, with the second take first.

Gotta Darn Good Reason Now (For Bein’ Good) (take 2), recorded July 24, 1930 by Cab Calloway and his Orchestra.

Gotta Darn Good Reason Now (For Bein’ Good) (take 1), recorded July 24, 1930 by Cab Calloway and his Orchestra.

Only one take is known to exist of Cab Calloway’s famous rendition of “St. Louis Blues”, so the better sounding of the two records is featured here. Just listen to how long he holds that note!

St. Louis Blues, recorded July 24, 1930 by Cab Calloway and his Orchestra.

Paramount 14012 – Fletcher Henderson’s Orchestra – 1927

Posted on December 18, 2015 by R. Connor Montgomery

In celebration of the 118th anniversary of Smack Henderson’s birth, here is a record I searched for long and hard, before I was fortunate enough to find this 1940s John Steiner reissue. This near mint dub trades some of its audio fidelity for a much cleaner and smoother surface than I’d be likely to find on the original Paramount issue, which was once speculated in 78 Quarterly to have “less than ten copies.”

Paramount 14012 was recorded May 11, 1927 in New York City and was originally issued on Paramount 12486. This issue is a 1948 dub made by record collector and producer John Steiner. The band features the talent of Joe and Russell Smith on trumpet, Benny Morton on trombone, Buster Bailey and Don Redman on clarinet and alto sax, Coleman Hawkins on tenor sax and clarinet, Fletcher Henderson on piano, Charlie Dixon on banjo, June Cole on tuba, and Kaiser Marshall on drums. The label erroneously credits Tommy Ladnier, who does not play on this record.

“Swamp Blues” tops my list of all-time favorite jazz recordings, and was the reason for my purchasing the record.

Swamp Blues, recorded May 11, 1927 by Fletcher Henderson’s Orchestra.

Perhaps even hotter than the previous, “Off to Buffalo” is another superb jazz side, not to be confused with the similarly titled Warren and Dubin song “Shuffle Off to Buffalo” from Forty-Second Street.

Off To Buffalo, recorded May 11, 1927 by Fletcher Henderson’s Orchestra.

Updated with Improved audio on June 19, 2017.

Hit of the Week 1046 – Harlem Hot Chocolates – 1930

Posted on September 19, 2015 by R. Connor Montgomery

To coincide with the beginning of economic downturn in 1930, a company called Durium began producing a line of one-sided laminated paper records known as “Hit of the Week”, which were sold at newsstands rather than traditional stores. These new creations sold fairly well initially and featured some top name artists including Rudy Vallée and Morton Downey. On this particular Hit of the Week, Duke Ellington’s Cotton Club Orchestra plays under the moniker “Harlem Hot Chocolates”

Hit of the Week 1046 was recorded sometime in March of 1930, the exact date is unknown, in New York City. It went to the newsstands on May 15, 1930. The all-star Ellington lineup includes Duke on piano and directing, Arthur Whetsel, Cootie Williams, and Freddie Jenkins on trumpets, Joe “Tricky Sam” Nanton, and Juan Tizol on trombones, Barney Bigard on clarinet and tenor sax, Johnny Hodges on clarinet, soprano sax, and alto sax, Harry Carney on clarinet, alto sax, and baritone sax, Fred Guy on banjo, Wellman Braud on string bass, and Sonny Greer on the drums. Ellington’s manager, the music mogul Irving Mills sings the vocal. This session also produced a recording of “Sing You Sinners”, and was Ellington’s sole session for Hit of the Week.

Here Ellington and the boys play a fine rendition of “St. James Infirmary”, this record’s only side.

St. James Infirmary, recorded March 1930 by the Harlem Hot Chocolates.

Updated with improved audio on March 31, 2018.

Columbia 2504-D – King Carter and his Royal Orchestra – 1931

Posted on September 5, 2015 by R. Connor Montgomery

In today’s post, it is my pleasure to present to you what I consider to be one of the finest examples of early Depression-era jazz ever recorded. Two quite different, but both superb pieces played by a band billed as “King Carter and his Royal Orchestra”, which was in actuality a pseudonym for the always excellent (and unfortunately oft overlooked) Mills Blue Rhythm Band.

Columbia 2504-D was recorded June 25, 1931 in New York City, and the orchestra includes Wardell Jones, Shelton Hemphill, and Ed Anderson on trumpets, Harry White and Henry Hicks on trombone, Charlie Holmes on clarinet and alto sax, Ted and Castor McCord on clarinet and tenor sax, Edgar Hayes on piano, Benny James on banjo, Hayes Alvis on string bass, and Willie Lynch on drums. George Morton provides the vocal on “Moanin'”.

For these two sides, I found that my usual equalization hindered the crispness of the music, especially the trumpets and cymbals, so these transfers are presented straight off the record, no equalization whatsoever. I hope you’ll find the increased crispness outweighs the slight crackle.

The first side of this disc introduces us to the sizzling hot, and also quite modernistic tune “Blue Rhythm”, a fitting title for this band, even if they’re not using their actual name.

Blue Rhythm, recorded June 25, 1931 by King Carter and his Royal Orchestra.

Don’t let the worn label fool you, the flip side, “Moanin'”, is in just as good or better condition. This side seems to have some kind of “wobbly” effect to it, it’s not a flaw with this particular copy, but is in fact a fault in the engineering, and is present on all pressings. Maybe the needle on the cutting lathe was worn out when it was recorded.

For me, this side conjures up the images of sitting a smoke-filled Harlem jazz club in the years after the stock market crash, as swing begins to evolve from its primordial soup of hot jazz, taking it slow and easy as the fast paced world passes by outside the door.

Moanin’, recorded June 25, 1931 by King Carter and his Royal Orchestra.

Melotone M 12639 – Cab Calloway and his Orchestra – 1930

Posted on August 21, 2015 by R. Connor Montgomery

I think it’s about time I featured a Cab Calloway record, so here it is, one of his earliest records, as well as one of his best. At such an early recording date, Calloway’s band retained the most of the members, and hot sound of their predecessor, the Missourians.

Melotone M 12639, originally issued as Brunswick 6020, was recorded on December 23, 1930 in New York, two days before Cab’s birthday, in New York City, this Melotone was issued around early to mid 1933. These sides feature Cab singing and directing the band, and includes R.Q. Dickerson, Lammar Wright, and Reuben “River” Reeves on trumpets, De Priest Wheeler and Harry White on trombones, William Thornton Blue on clarinet and alto sax, Andrew Brown on bass clarinet and tenor sax, Walter “Foots” Thomas on alto, tenor and baritone saxes, Earres Prince on piano, Morris White on banjo, Jimmy Smith on bass, and Leroy Maxey on drums.

The band’s energetic performance of the evergreen classic “Some of These Days” is one of Cab’s hottest tunes ever recorded, with the (ex-)Missourians playing as hot as ever. This side has a few small needle digs that cause slight disruption near the end, please try to excuse them.