On the ninth of February, we celebrate the birth of one of the brightest shining stars in all of country music: the Texas Troubadour, my cousin, Ernest Tubb.
Ernest Dale Tubb was born on February 9, 1914, in the now-ghost town of Crisp, Texas, the son of cotton sharecroppers Calvin Tubb and Ellen Baker, whose mother died while she was still an infant, and her father, purportedly a full-or-half-blooded Cherokee, left to start anew. As a youth, he worked as a soda jerk, but like so many of his generation, hearing Jimmie Rodgers inspired the young Tubb to pick up a guitar and start singing and yodeling. In the middle of the 1930s, Tubb began singing on San Antonio’s KONO, an unpaid job which required him to seek employment digging ditches for the WPA. He soon established contact with Jimmie Rodgers’s widow Carrie (née Williamson), who befriended the young singer and indefinitely loaned him her late husband’s custom Martin 000-45 guitar. She also brought the young Tubb to the attention of the RCA Victor Corporation, for whom Jimmie had recorded. When the record company made one of its field trips to San Antonio in October of 1936, Ernest Tubb made his first recordings, singing solo accompanied by his own guitar on six sides, and accompanying Mrs. Jimmie Rodgers in another one, a tribute to her departed husband. Of Tubb’s solo recordings, only one record was released initially, another tribute to the Singing Brakeman, featuring “The Passing of Jimmie Rodgers” and “The Last Thoughts of Jimmie Rodgers” on the Bluebird label, the others were held back for several years. He was behind the recording microphone for a second time when RCA Victor was back in San Antonio the following March, and he recorded two more solo sides, this time backed on second guitar by his friend Buff Buffington, and another one backing Mrs. Rodgers, all of which were released this time. All Tubb’s Bluebird records sold quite poorly, and it would be several years before he returned to the studio. In 1939, a tonsillectomy instigated a shift from singing to focus greater on writing songs.
Come 1940, Ernest Tubb got a better gig singing on the radio, sponsored by the Gold Chain flour company, but at seventy-five dollars a week, it still wasn’t enough to make ends meet. The same year, he also began a new recording contract with Decca, and he made his first records for them at the Rice Hotel in Houston on April 4, 1940, beginning with “Blue Eyed Elaine”, dedicated to his wife. His records continued to attract limited public attention, and Tubb was contemplating throwing in the towel, but things turned around after a 1941 session in Dallas, when his original composition “Walking the Floor Over You” became an unexpected hit. Its success was such that it precipitated a move to Hollywood, where Tubb made a few film appearances, and earned him membership in the Grand Ole Opry in Nashville in 1943, an engagement which lasted four decades. Soon, he became known as the “Texas Troubadour”, a name which was later applied to his band as well. He made some patriotic songs of note during the War, such as “Soldier’s Last Letter”, and by the last year of the 1940s, Tubb had charted seven hit records, including an early recording of “Blue Christmas”. Tubb’s music helped to popularize honky-tonk style country music, and earned him a devoted base of fans. His success continued in the decades to come, with hits like 1965’s “Waltz Across Texas”, and he was inducted into the Country Music Hall of Fame in the same year. Following a life well spent, Ernest Tubb died on August 14, 1984 in Nashville, Tennessee.
Decca 5958 was recorded in Dallas, Texas on April 25, 1941 and in Los Angeles on October 30, 1940, respectively. On the “A” side, Tubb is accompanied by his own guitar, WBAP staff musician Fay “Smitty” Smith on steel guitar, and an unknown string bass. On “B”, he is accompanied only by his and Dick Ketner’s guitars.
First, Tubb sings the first of recorded versions of his famous hit song, “Walking the Floor Over You”. Real, good, country music.
On the flip-side, Tubb sings a song written by Jimmie Rodgers’ widow, Carrie Williamson Rodgers: “I’m Missing You”.