Montgomery Ward M-4225 – The Carter Family – 1932/1928

With all due apologies for Old Time Blues unintended ten day hiatus, we hope now to return to regular posting. And what better a note to return on than these great classics by the one and only Carter Family, in honor of Sara Carter, born on this day 118 years ago.

Sara Elizabeth Dougherty was born in Copper Creek, Virginia on July 21, 1898 to William and Nancy Dougherty.  In 1915, she married Alvin Pleasant (A.P.) Carter, with whom she had three children, Gladys, Janette, and Joe.  In the 1920s, Sara began performing traditional folk songs with her husband and cousin Maybelle as the Carter Family.  In August of 1927, they came to Bristol, Tennessee to record for the first time in a series of sessions organized by Ralph S. Peer for the Victor Talking Machine Company.  At the Bristol Sessions, the Carter Family recorded six sides, four on the first and two on the second of August.  Their first record, “Poor Orphan Child” and “The Wandering Boy” was issued on Victor 20877 in December of 1927, with considerable success, and their second, “Single Girl, Married Girl” and “The Storms are On the Ocean” on Victor 20937, found even greater popularity.  In May of 1928, they ventured to Victor’s facilities in Camden, New Jersey for another session, with many more coming thereafter.  As the group reached their peak, Sara’s powerful singing—initially quite high, and later maturing into the deep, low voice for which she was known—provided a heart and soul to their music, perfectly complimented by Maybelle’s guitar playing.

In 1932, the Carters experienced marital strife, when Sara began having an affair with her A.P.’s cousin Coy Bayes while her husband was away on one of his many long trips to “discover” new material for the family, separating him from Sara for weeks or months at a time.  They divorced in 1936, but the original Carter Family stuck together until 1943, after which Sara married A.P.’s cousin and moved to California, where she retired from music.  A.P., Maybelle, and the kids returned home to Maces Spring, Virginia, where he opened a store, and she continued to pursue a musical career.  Sara later made a small comeback during the folk revival of the 1960s with Maybelle, but she never regained what she had in the old days, and indeed she probably never wanted to.  Sara Carter died in California at the age of 80 on January 8, 1979.

Montgomery Ward M-4225 was recorded in two separate sessions, the first on May 9, 1928, and the second on October 14, 1932, both in Camden, New Jersey.  The trio sings while Sara plays autoharp and Maybelle plays guitar.  They were originally issued on Victor 21434 and 23776.  This Montgomery Ward issue was pressed from the original masters.

The Carter Family’s classic rendition of the old standard “Keep On the Sunny Side” could be compared to Jimmie Rodgers’ “Blue Yodel” as a song that became indelibly associated with them, serving as their theme song when they performed on border blaster radio, and later inscribed as the epitaph on both Sara and A.P. Carter’s gravestones. Also like Rodgers’ “Blue Yodel”, it was recorded at the Carters’ first session after the Bristol Sessions.

Keep On the Sunny Side

Keep On the Sunny Side, recorded May 9, 1928 by the Carter Family.

“The Church in the Wildwood” is a song that I recollect fondly from my own childhood, and unsurprisingly the Carters’ rendition is a pleasure to hear.  Fittingly, this side was recorded in Victor’s Camden, New Jersey church studio.

The Church in the Wildwood

The Church in the Wildwood, recorded October 14, 1932 by the Carter Family.

Updated on June 1, 2018.

Montgomery Ward M-4415 – Jimmie Rodgers – 1933

Please note: this article dates to Old Time Blues’ first year and does not meet the standard of quality to which more recent postings are held.  Thank you for your understanding.

On this day, the twenty-fourth of May, in the year of 1933, America’s Blue Yodeler cut his last records.  With the nation in the grip of the Great Depression in 1933, the economic state prohibited Victor from continuing to make field trips to record in the South, so Jimmie had to travel to the studios in New York.  By ’33, Jimmie was not in good health; tuberculosis had gotten the better of him, and cross country travel would do his health no favors.  During his final sessions, he had to lie down and rest in-between takes, and relied on studio musicians for accompaniment on many of his final recordings.  Only two days after making his final recordings, Jimmie Rodgers expired in his room at the Taft Hotel of a pulmonary hemorrhage.

Montgomery M-4415 was recorded May 18 and May 24, 1933 in New York City.  The latter of which turned out to be Jimmie’s final session.  It was originally issued on Bluebird B-5281, this issue was pressed from those masters and sold through the Montgomery Ward catalog.  Despite his failing health, Jimmie maintained a strong voice for most of these sides, and accompanies himself on guitar on both.

Jimmie Rodgers’ famous series of “Blue Yodels” began in 1927 with “T for Texas”, and concluded here with the thirteenth song in the series, the fittingly titled “Jimmie Rodgers’ Last Blue Yodel”, or “The Women Make a Fool Out of Me”.

Jimmie Rodgers' Last Blue Yodel

Jimmie Rodgers’ Last Blue Yodel, recorded May 18, 1933 by Jimmie Rodgers.

In 1927, Jimmie Rodgers began his recording career in Bristol, Tennessee with “The Soldier’s Sweetheart”.  In 1933, he concluded that career with “Years Ago”.

Years Ago

Years Ago, recorded May 24, 1933 by Jimmie Rodgers.