With all due apologies for my unintended ten day hiatus, I hope now to return to regular posting. And what better a note to return on than these great classics by the one and only Carter Family, in honor of Sara Carter, born on this day 118 years ago.
Sara Elizabeth Dougherty was born in Copper Creek, Virginia on July 21, 1898 to William and Nacy Dougherty. In 1915, she married Alvin Pleasant (A.P.) Carter, with whom she had three children, Gladys, Janette, and Joe. In the 1920s, Sara began performing traditional folk songs with her husband and cousin Maybelle as the Carter Family. In August of 1927, they came to Bristol, Tennessee to record for the first time in a series of sessions organized by Ralph S. Peer for the Victor Talking Machine Company. At the Bristol Sessions, the Carter Family recorded six sides, four on the first and two on the second of August. Their first record, “Poor Orphan Child” and “The Wandering Boy” was issued on Victor 20877 in December of 1927, with considerable success. In May of 1928, they ventured to Victor’s facilities in Camden, New Jersey to record again.
In 1932, the Carter’s experienced marital strife, with Sara having an affair with her husband’s cousin, while he was away on one of his many efforts to “discover” new material for the family. They divorced in 1939, and the original Carter Family disbanded in 1943, after which Sara married A.P.’s cousin and moved to California, where she retired from music. She later made a comeback during the folk revival of the 1960s with Maybelle. Sara died at the age of 80 on January 8, 1979.
Montgomery Ward M-4225 was recorded in two separate sessions, the first on May 9, 1928, and the second on October 14, 1932, both in Camden, New Jersey. They were originally issued on Victor 21434 and 23776. This Montgomery Ward issue was pressed from the original masters.
“The Church in the Wildwood” is a song that I recollect fondly from my own childhood, and the Carters’ rendition is a pleasure to hear. Fittingly, this side was recorded in Victor’s Camden, New Jersey church studio.
The Carter Family’s classic rendition of the old standard “Keep On the Sunny Side” could be compared to Jimmie Rodgers’ “Blue Yodel” as a song that became indelibly associated with them. Also like Rodgers’ “Blue Yodel”, it was recorded at the Carters’ first session after the Bristol Sessions.