One of the outstanding folk song spinners of the 1930s was the “Dixie Songbird”, Bill Cox. In spite of his innocuous nickname, Cox’s repertoire consisted largely of topical songs about hot-button issues of the day, including “The Trial of Bruno Richard Hauptmann” (about the Lindbergh baby kidnapping), “The Fate of Will Rogers and Wiley Post”, and “N. R. A. Blues”.
William Jennings Cox was born in Eagle, West Virginia on August 4, 1897. In his youth, he took up the harmonica, and guitar, both of which he came to play with proficiency. In 1927, Cox reportedly made his professional debut on WOBU radio in West Virginia, performing as the “Dixie Songbird,” a moniker which he retained throughout his musical career. Two years later, in 1929, Cox ventured to Richmond, Indiana to cut his first records for the Starr Piano Company, manufacturers of Gennett Records (and their subsidiary labels such as Champion, Supertone, and so forth). Like many of his contemporaries, his earliest recordings were covers of songs by Jimmie Rodgers, but he soon branched out into making renditions of old folk songs and his own original compositions. Cox continued to record for Gennett until around 1931, and after an apparent hiatus, resumed his recording career in 1933 for the American Record Corporation, with whom he remained until he retired from recording. On many of these records, he was accompanied by fellow West Virginian Cliff Hobbs. Under the ARC, Cox’s records were issued on Conqueror, Perfect, Melotone, Oriole, Banner, Vocalion, and later Okeh. After retiring from recording in 1940, Cox fell on hard times, and was discovered destitute and living in a converted chicken coop in 1966. The following year, he recorded an album that would be his swan song. Bill Cox died on December 10, 1968.
Champion S-16443 was recorded on August 17, 1931 in Richmond, Indiana by Bill Cox, released under the pseudonym Luke Baldwin. He is accompanied by his own guitar. It sold a total of only 301 copies! It was also issued on Superior 2833 (which appears to have sold only 55 copies, if my interpretation of George Kay’s Superior Catalog is correct, and if it is indeed accurate), and later reissued with the sides split up, with “In 1992” on Decca 5497 and Champion 45093, and with “I Found You Among the Roses on Champion 45106 and Montgomery Ward 4942.
Cox plays harmonica on own composition “I Found You Among the Roses”, set to the tune of Edward B. Marks and Joseph W. Stern’s “My Mother Was a Lady”, or at least Jimmie Rodgers’ recording of it, which is likely where Cox found his inspiration. Please note that this is an entirely different song than the 1916 George B. Pitman song of the same name as recorded by the Carter Family.
On the “B” side, Cox predicts the future on “In 1992”, a novelty song penned by musical duo Arthur Fields and Fred Hall.