Victor 20293 & 20507 – Five Harmaniacs – 1926/1927

Posted on June 28, 2016 by R. Connor Montgomery

Styling themselves as cowboys, the Five Harmaniacs were a novelty jug band that had a short-lived but apparently successful run on vaudeville in the middle part of the 1920s. During that run, they also made a series of recordings for a number of companies in 1926 and ’27. The group cut their first side, titled “Harmaniac Blues”, in Chicago for Paramount in June of ’26 as the Harmaniac Five. They followed with four sides for Victor, two for Brunswick, two for Edison, and one for Gennett, all of them recorded in New York. They also made radio appearances across the United States.

There is conflicting information surrounding the identities of the members of the Five Harmaniacs. Brian Rust lists Claude Shugart as the jug and washboard player, Jerry Adams on comb, Percy Stoner on kazoo and banjo, with Wade Hampton Durand, Walter Howard, and Ned Nestor filling out the rest of the band, each taking some part on banjo, guitar, harmonica, and ukulele. The 1978 LP release The Five Harmaniacs – 1926-27 (Puritan 3004) lists an entirely different personnel including Syd Newman on harmonica, kazoo, and washboard, Dave Robertson on harmonica and washboard, Roy King on banjo, ukulele, and jug, Jerry Adams on comb, Walter Howard on guitar, and Claude Shugart on ukulele. Claude Shugart is incorrectly identified in some sources as Clyde, and Wade Durand (incorrectly) as Wayne. The Mainspring Press asserts that “the usual members of this group were Jerry Adams, Hampton Durand, Walter Howard, Ned Nestor, Clyde Shugart, and Percy Stoner,” with that information apparently recorded in Brunswick ledgers from their session with that company.

C. Shugart is listed as the vocalist on the label of “Sadie Green Vamp of New Orleans”, confirming his presence in the Harmaniacs. He may have also played kazoo and possibly banjo. Rust’s identification of Shugart as playing jug is likely incorrect, as jug can be heard during his vocal on “Sadie Green”. It is also certain that Walter Howard was the vocalist on “What Makes My Baby Cry?”, and surviving evidence indicates that he played the guitar as well. With Jerry Adams listed on comb in both sources, he most likely did in fact fill that role, and may have doubled on banjo. It would not have been uncommon in this type of band for each member to have played more than one instrument, and they may have switched back and forth periodically. As all sources confirm Howard, Shugart, and Adams as members, there is little evidence to cast doubt on their presence, but the identities of the other members are unconfirmed, at least in my research.

Walter Howard was born in 1897 and hailed from Ocracoke Island, North Carolina. His brother Edgar, who played banjo, was also a musician of some merit. Wade Hampton Durand was born in Indiana in 1877, and was working in music as early as the turn of the century. In 1918, he worked as a musical director in Los Angeles, and by 1940, he was an arranger in New York, living in a hotel that played host to a host of other musicians. Durand died in 1964. While Durand is confirmed as the co-composer of “Coney Island Washboard” and “Sleepy Blues”, his instrumental role in the Harmaniacs, if any, is uncertain. It has also been posited that Jerry Adams real name was Harold Whitacre.

The two discs, four sides, featured in this post account for the Five Harmaniacs’ full recorded output for the Victor Talking Machine Company.

Victor 20293 was recorded September 17, 1926 in New York City. C. Shugart (be it Clyde or Claude) provides the vocals on pop hit “Sadie Green Vamp of New Orleans”.

Sadie Green Vamp of New Orleans, recorded September 17, 1926 by the Five Harmaniacs.

On the other side, they play the first ever recording of the now classic “Coney Island Washboard”, composed by Durand and Adams, with words by Shugart and Ned Nestor, as an instrumental.

Coney Island Washboard, recorded September 17, 1926 by the Five Harmaniacs.

The Harmaniacs returned to the Victor studio five months later and recorded Victor 20507 on February 5, 1927. Walter Howard recites the vocal on the rollicking “What Makes My Baby Cry?”.

What Makes My Baby Cry?, recorded February 8, 1927 by the Five Harmaniacs.

On the flip, they back it up with the little bit bluer sounding instrumental “It Takes a Good Woman (To Keep a Good Man at Home)”.

It Takes a Good Woman (To Keep a Good Man at Home), recorded February 8, 1927 by the Five Harmaniacs.

Updated on December 1, 2016, June 24, 2017, and April 29, 2018.

An Electradisk Dance Double Feature – 1922 & 1923 – 1932

Posted on March 7, 2016 by R. Connor Montgomery

Peter DeRose and May Singhi Breen. From 1932 publication.

May Singhi Breen and Peter DeRose. From 1932 publication.

For your hopeful enjoyment today, I offer you yet another dance band double feature, this time two Electradisks. As with our first Bluebird double feature, these two are consecutively numbered, one catalog number falling immediately after other.

Electradisk was the RCA Victor Company’s second venture into the field of budget records, following the failure of Timely Tunes. Electradisks were introduced in 1932 and originally offered in an eight inch format (which is very rarely seen today) along with a prototypical Bluebird of the same format and sold at Woolworth’s dimestores. Soon, both Bluebird and Electradisk were upgraded to the standard ten inch format, which seems to have sold better, though Bluebirds of that period are still impossible to find. The Electradisk label continued into 1933, and was discontinued in that same year. Around that time, the “buff” label Bluebird was introduced, and began huge success and a mainstay well into the 1940s.

First is Electradisk 1922, recorded on November 22, 1932 in RCA’s Studio 1 in New York City. On the first of the pair, the Peter De Rose Orchestra (actually Tom Berwick’s Orchestra using DeRose’s name) plays “I’m Sure of Everything but You” with a vocal by the husband and wife duo of DeRose and “the original ukulele lady” May Singhi Breen…

I’m Sure of Everything But You, recorded November 22, 1932 by Peter De Rose Orchestra.

…and on the flip, “Underneath the Harlem Moon”, with a vocal by the Marshall Sisters, no doubt trying to capitalize on the success of the Boswell Sisters (though they’re nowhere near as good, sorry to say).

Underneath the Harlem Moon, recorded November 22, 1932 by Peter De Rose Orchestra.

The second disk splits up its artist credits to Jim Harkins and his Orchestra and Sid Peltyn and his Orchestra, but once again, both are pseudonyms for Tom Berwick’s band. Both sides of Electradisk 1923 were recorded November 23, 1932 in New York. On the first side, “Harkins'” orchestra presents a respectable rendition of the 1932 popular song “Play, Fiddle, Play”, featured by the likes of “Street Singer” Arthur Tracy. According to the distinguished Mr. Paul Lindemeyer, Harkins was a Boston area banjo and guitar player who doubled on the bagpipes.

Play, Fiddle, Play, recorded November 23, 1932 by Jim Harkins and his Orchestra and Sid Peltyn and his Orchestra.

On the flip, “Peltyn’s” band plays the Great Depression topical song “Here it is Monday and I’ve Still Got a Dollar”.

Here it is Monday and I’ve Still Got a Dollar, recorded November 23, 1932 by Jim Harkins and his Orchestra and Sid Peltyn and his Orchestra.

Updated on April 28, 2018.

A Pair of Early Rags by Arthur Pryor’s Band – Victor 4069 & 4525 – 1903/1905

Posted on February 28, 2016 by R. Connor Montgomery

Arthur Pryor. From 1917 Victor catalog.

A few months ago, I was fortunate enough to uncover several of these single sided early Victor records at one of my regular haunts. Though they’re a little out of the scope of what I usually collect, they certainly are interesting, as they are all well over one hundred years old! Since they only have one side each, I thought it best to post two of them here at a time. These two are a pair of rags composed by Arthur Pryor and played by his military band.

Arthur Pryor, the trombone virtuoso, was one of Victor’s most popular artists around the turn of the century. He rose to prominence during the 1890s as a soloist with John Philip Sousa’s band, and took his first solo at the 1893 World’s Fair in Chicago. Pryor left Sousa’s Band in 1902 and soon began his association with the Victor Talking Machine Company. During the 1900s and 1910s, Pryor’s Band was one of the most popular in the United States.

Dating these early records is not my strong suit, but going by the matrix number of B-793, and the apparent take number of 2, this copy Victor 4069 was recorded April 26, 1904, mostly likely in Philadelphia, Pennsylvania. This record features Arthur Pryor’s famous composition (though its title would not be so acceptable today), “Coon Band Contest”. This one is, unfortunately, quite noisy, but not too shabby for a nearly 113 year old shellac disc!

Coon Band Contest, recorded April 26, 1904 by Arthur Pryor’s Band.

With the matrix B2818, it appears that Victor 4525 was recorded October 18, 1905, also in Philadelphia. This one features the rag tune “Razzazza Mazzazza”, and plays considerably better than the first disc. It’s pretty fun music, too!

Razzazza Mazzazza, recorded October 18, 1905 by Arthur Pryor’s Band.

Updated with improved audio on June 6, 2017.

A Crown Dance Band Double Feature – 3149 & 3281 – 1931/1932

Posted on January 21, 2016 by R. Connor Montgomery

This Dance Band Double Feature is dedicated to Smith Ballew, who was born on this day (January 21) in 1902. Under his frequently used pseudonym, Buddy Blue and his Texans, Ballew and his band play four classic songs of the early 1930s recorded on the Crown label.

Smith Ballew was born Sykes Ballew in Palestine, Texas on January 20, 1902. He had his education in Sherman, Texas before finishing college at the University of Texas in Austin. While at UT, Ballew played banjo in James Maloney’s band, called Jimmie’s Joys at the time. That band, with Ballew, made a few records in California for the Golden label in 1923. By the late 1920s, he was working as a studio vocalist in New York, working for a plethora of different bands and labels. After working steadily as a singer well into the 1930s, Smith turned to acting, appearing mostly in Westerns as a singing cowboy. After retiring from music in 1967, Ballew worked in the aircraft industry, eventually settling in Fort Worth. He died March 2, 1984 in Longview, Texas.

Crown 3149 was recorded in May of 1931. On the first side, Smith Ballew sings Harry Warren’s 1931 hit, the timeless “I Found a Million Dollar Baby (In a Five and Ten Cent Store)”.

I Found a Million Dollar Baby (In a Five and Ten Cent Store), recorded May 1931 by Buddy Blue and his Texans.

On the reverse, we hear “On the Beach With You”, this side claims to be a waltz, but it sounds more like a fox trot to my ear. The vocalist on this side is allegedly Charlie Lawman, but it sounds identical to Ballew’s vocal on the flip, and I believe it’s still him. On these 1931 recordings, the band retains much of a late 1920s sound with banjo rhythm and an accordion.

On the Beach With You, recorded May 1931 by Buddy Blue and his Texans.

The second disc, Crown 3281, was recorded in January of 1932. This record features two popular songs from Irving Berlin’s Face the Music. Both sides feature a vocal by Ballew. The band seems to have modernized significantly on these recordings, less than a year later, and may very well be an entirely different group. First up, it’s one of my personal favorites: “Let’s Have Another Cup o’ Coffee”.

Let’s Have Another Cup o’ Coffee, recorded January 1932 by Buddy Blue and his Texans.

On the flip, Ballew sings the charming “Soft Lights and Sweet Music”.

Soft Lights and Sweet Music, recorded January 1932 by Buddy Blue and his Texans.

Updated on April 28, 2018.

Another Bluebird Dance Band Double Feature – B-5049 & B-5053 – 1933/1931

Posted on December 2, 2015 by R. Connor Montgomery

As I’m in the process of uploading this duo of early Bluebirds to my YouTube channel (which you should most definitely take a look at if you like this kind of music), it seems like a fine time to do another Bluebird Dance Band Double Feature. Last time, I featured some of the sweet style of music that dominated pop music in the early 1930s, but this time I’ve got a couple of hotter bands for you, led by Paul Tremaine and Gene Kardos.

Bluebird B-5049 was recorded April 14, 1933 in New York City by Paul Tremaine and his Orchestra. On the first side, they play sweeter on Harold Arlen and Ted Koehler’s “Stormy Weather”, which had recently been debuted in the Cotton Club Parade of 1933.

Stormy Weather, recorded April 14, 1933 by Paul Tremaine and his Orchestra.

On the reverse, they play “Hand Me Down My Walkin’ Cane”, a remake of the rendition they had recorded for Columbia in February of 1930 (I’ll post the original sometime, too).

Hand Me Down My Walkin’ Cane, recorded April 14, 1933 by Paul Tremaine and his Orchestra.

The two sides of Bluebird B-5053 were recorded on two different occasions. The first side is another by Paul Tremaine, a wild “She’ll Be Comin’ Around the Mountain”, recorded at the same April 14, 1933 session. That one is also a (considerably more frenetic) redo of one of their 1930 Columbia recordings. Be sure to listen for the little bit of “hinkle dinkle rooty too” between two of the choruses.

She’ll Be Comin’ Around the Mountain, recorded April 14, 1933 by Paul Tremaine and his Orchestra.

On the flip-side, Gene Kardos and his Orchestra play a hot rendition of Carson Robison’s “Left My Gal in the Mountains”, recorded June 10, 1931 and originally issued on Victor’s short-lived Timely Tunes budget label. This was Kardos’ first session. The band consists of Sammy Castin and Willie Mayer on trumpets, Milt Shaw on trombone, Gene Kardos on alto sax, Joe Sagora on clarinet and alto sax, Morris Cohen or Nat Brown on clarinet, alto sax, and tenor sax, Joel Shaw on piano, Albert Julian on guitar, Danny Bono or Ben Goldberg on tuba, and Saul Howard on drums. The vocalist is Albert Julian.

Left My Gal In The Mountains, recorded June 10, 1931 by Gene Kardos and his Orchestra.

Updated on June 24, 2016 and April 29, 2018.