Victor 16777 – Sousa’s Band – 1912/1920

An early edition sheet music to "The Stars and Stripes Forever", dating to 1897.

An early edition sheet music to “The Stars and Stripes Forever”, dating to 1897.

On the Fourth of July, we celebrate the United States’ Declaration of Independence from England.  This year’s Independence Day is a particularly important one, being the United States’ 240th.  As such, it would only be appropriate to celebrate with patriotic music by America’s March King, John Philip Sousa.

This year, Old Time Blues celebrates with John Philip Sousa’s own band playing a patriotic serenade.  However, Sousa himself, who was well known for his distaste for “canned music” does not direct his band on this record.  Instead, his protégé Arthur Pryor directs on the first side, and Victor’s musical director Josef Pasternack does so on the other.  We also previously posted Sousa’s final composition, the 1932 “Century of Progress March”, written for the 1933 World’s Fair in Chicago.

Records like this are sometimes hard to date, as Victor had a tendency to record multiple takes over the course of several years (or decades), all on the same matrix and catalog numbers.  These appear to be takes 16 and 3, respectively.  That would indicate that the “A” side was recorded on December 13, 1912, and the “B” side was recorded on November 9, 1920, both in Camden, New Jersey.  The record was originally issued in November of 1910, and was cut from the catalog in October of 1926, when an Orthophonic version was released on Victor 20132, which remained in the catalog for an astounding thirty years.

First, Sousa’s Band plays his great 1897 composition, the “Stars and Stripes Forever March”.

Stars and Stripes Forever

Stars and Stripes Forever March, recorded December 13, 1912 by Sousa’s Band.

On the flip, it’s Sousa’s “Fairest of the Fair March”, composed in 1908 for the Boston Food Fair.

Fairest of the Fair

Fairest of the Fair, recorded November 9, 1920 by Sousa’s Band.

A Pair of Early Rags by Arthur Pryor’s Band – Victor 4069 & 4525 – 1903/1905

Arthur Pryor. From 1917 Victor catalog.

Arthur Pryor. From 1917 Victor catalog.

A few months ago, I was fortunate enough to uncover several of these single sided early Victor records at one of my regular haunts.  Though they’re a little out of the scope of what I usually collect, they certainly are interesting, as they are all well over one hundred years old!  Since they only have one side each, I thought it best to post two of them here at a time.  These two are a pair of rags composed by Arthur Pryor and played by his military band.

Arthur Pryor, the trombone virtuoso, was one of Victor’s most popular artists around the turn of the century.  He rose to prominence during the 1890s as a soloist with John Philip Sousa’s band, and took his first solo at the 1893 World’s Fair in Chicago.  Pryor left Sousa’s Band in 1902 and soon began his association with the Victor Talking Machine Company.  During the 1900s and 1910s, Pryor’s Band was one of the most popular in the United States.

Dating these early records is not my strong suit, but going by the matrix number of B-793, and the apparent take number of 2, this copy Victor 4069 was recorded April 26, 1904, mostly likely in Philadelphia, Pennsylvania.  This record features Arthur Pryor’s famous composition (though its title would not be so acceptable today), “Coon Band Contest”.  This one is, unfortunately, quite noisy, but not too shabby for a nearly 113 year old shellac disc!

Coon Band Contest, recorded

Coon Band Contest, recorded April 26, 1904 by Arthur Pryor’s Band.

With the matrix B2818, it appears that Victor 4525 was recorded October 18, 1905, also in Philadelphia.  This one features the rag tune “Razzazza Mazzazza”, and plays considerably better than the first disc.  It’s pretty fun music, too!

Razzazza Mazzazza, recorded

Razzazza Mazzazza, recorded October 18, 1905 by Arthur Pryor’s Band.

Updated with improved audio on June 6, 2017.