Seems it’s seldom these days that I post any music just for music’s sake, just to celebrate the greatness of a song, rather than to commemorate some occasion or happening. I’ve already quite thoroughly expounded upon the life and time of Milton Brown—the Father of Western Swing—so I feel I needn’t go into much more detail about that here, you may go read it on that page if you so desire. But there’s still plenty more to say about the many records Brown made in his short two year recording career, and goodness knows there’s so much more to hear. So herein is one of my own favorites of those many, I hope you’ll enjoy it as well, and I also hope to be able to offer some anecdotes and shed some light that may perhaps not have been shed otherwise.
Though his recording career only spanned from 1934 to 1936 (excluding the Fort Worth Doughboys session in ’32), in four sessions, two for Bluebird and two for Decca, spread over a week’s worth of days, Milton Brown managed to cut a total of one-hundred-and-three sides. Decca 5201 comes from the first and second days of Brown’s last session, his second for Decca. It was recorded at the Roosevelt Hotel in New Orleans, Louisiana on March 3rd and 4th, 1936. The Musical Brownies at this point in time included Milton Brown singing and leading Cecil Brower and Cliff Bruner—the latter a new addition to the band for this session—on fiddles, Derwood Brown on guitar, Ocie Stockard on banjo, Bob Dunn on steel guitar, Wanna Coffman on string bass, “Papa” Fred Calhoun on piano.
Firstly, the Musical Brownies get hotter than anything on “Somebody’s Been Using that Thing”, one of several tunes Milton lifted from the Hokum Boys’ repertoire, some others being “Easy Ridin’ Papa” and “Nancy Jane”—though it was written and originally recorded by mandolinist Al Miller in 1929. To set the record straight (pun intended), one “Greaseman” has evidently propagated preposterous misinformation that the lyric in this song is “Georgia boy, somebody’s been using that thing,” while it is in fact “sure as you’re born, somebody’s been using that thing,” albeit slurred to sound like “sho’s yo’ bo’n.” This one is a serious contender against “Garbage Man Blues” to win the title of my personal favorite Milton Brown song.
On the “B” side, Milton sings a respectable pop vocal on Sammy Fain, Irving Kahal, and Pierre Norman’s jazz standard “When I Take My Sugar to Tea”. Listening to this tune, one wonders if Brown was familiar with the work of the Boswell Sisters.