In commemoration of the anniversary of the birth of the “Denver Nightingale”, recording pioneer and prolific record artist Billy Murray, I present the latest record of him currently in the Old Time Blues collection.
William Thomas Murray was born on May 25, 1877—the same year Edison invented the phonograph that he later would help to proliferate—in Philadelphia, Pennsylvania, son of Patrick and Julia Murray. Murray later quipped, “I squalled for the first time in 1877, and so did the phonograph. I didn’t do very much for ten years after that, but neither did the phonograph.” The Murrays moved to Denver in 1882, and by sixteen, Billy was performing professionally. Murray made his first of hundreds of phonograph recordings for Peter Bacigalupi in San Francisco in 1897, and was recording regularly and professionally in the New York area by 1903. Over the following decades, Murray recorded a huge multitude of songs, in various styles and genres, for virtually every record label in operation. Coinciding with the advent of electrical recording in 1925, the public’s tastes were changing, and Murray began to fall from favor. To adjust to the new recording systems, he softened his singing voice, though his work became more sporadic. In the 1920s, he often worked as a vocalist for dance bands; he appeared on Jean Goldkette’s memorable recording of “I’m Looking Over a Four Leaf Clover” in 1927, featuring Bix Beiderbecke. Starting in the late 1920s, Murray lent his voice to animated cartoons, providing the voice of Bimbo, and others, in shorts made by Fleischer Studios. He worked sporadically on radio through the 1930s, including appearances on the WLS National Barn Dance. In 1940, Murray made a series of recordings for Bluebird, accompanied by Harry’s Tavern Band, and made his last recordings in 1943 for the Beacon label with fellow recording pioneer Monroe Silver, known for his “Cohen” character. After retiring in 1944 due to heart issues, Billy Murray died suddenly of a heart attack at a Guy Lombardo show on Long Island on August 17, 1954.
Brunswick 4597 was recorded in September or October of 1929 by Billy Murray with his frequent duet partner Walter Scanlan (whose real name was Walter van Brunt).
First, the duo sings humorous number from the 1929 Sono Art-World Wide talking picture The Great Gabbo, in which it was performed by Erich von Stroheim in the titular role, with his ventriloquist dummy.
On the reverse, Murray and Scanlan sing another comic song most frequently associated with Eddie Cantor, “My Wife is On a Diet”.