If there’s one thing I’m particularly fond of, it’s the swinging Lester Melrose-style Chicago blues of the mid-1930s, by the likes of Big Bill Broonzy, Washboard Sam, Memphis Minnie, Blind Boy Fuller, and so many others. This record is one that I think you’ll find is most befitting of that description.
The State Street Boys (not to be confused with the Jimmy Blythe’s State Street Ramblers) were a studio group that managed to blend modern swing music and country blues. They cut eight sides for the American Record Corporation in January of 1935, of which three records were issued on Okeh at the very end of their “race” records series (all of which were re-released on Vocalion shortly thereafter), and the last on Vocalion. The following year, they were reincarnated as the State Street Swingers, with even more jazz in their style.
Vocalion 03002 was recorded on January 10, 1935 in Chicago, Illinois. It was more-or-less concurrently issued on Okeh 8962. Personnel for this session is disputed, and differs for each side. According to the ever-reliable Stefan Wirz’ American Music discographies, both sides feature the talents of Black Bob on piano, and possibly Bill Settles on string bass. The first side features Carl Martin on guitar and singing and Zeb Wright on fiddle, while the second has Big Bill Broonzy on fiddle and singing and Bill “Jazz” Gillum on harmonica.
“Don’t Tear My Clothes”—seemingly the first recording of the blues standard—is one of my personal favorites, and I consider it to be the definitive version. Some sources state the vocalist on this side to be Big Bill rather than Carl Martin, and it does sound a bit like Broonzy. But it also sounds like Carl Martin. I long believed it to be Broonzy myself (with admittedly very little research into it at the time), but I’ve come around to agree that it sounds more like Martin’s voice and guitar picking.
On the “B” side, Big Bill (and this time it’s definitely him) sings and plays fiddle on “She Caught the Train”—a great opportunity to hear him on an instrument other than his usual guitar. The identity of the second (frankly rather bad) vocalist is unknown, but I would imagine that it would have to be one of the other members of the band.