Vocalion 2587 – Cliff Edwards (Ukulele Ike) – 1933

Today we celebrate the birthday of Cliff Edwards, the man known as “Ukulele Ike”.  He was one of the leading figures in the proliferation of the ukulele during the roaring twenties, and made his mark on the cinematic world as the voice of Jiminy Cricket in Walt Disney’s Pinocchio.  Edwards’ distinctive vocal style was punctuated with his trademark “effin’,” a sort of kazoo sounding scat singing of his own creation.

Cliff Edwards as illustrated in Radio Round-Ups by Gurman and Slager, 1932.

Clifton Avon Edwards was born June 14, 1895 in Hannibal, Missouri, of no particular musical background.  He took up singing in St. Louis saloons in his teenage years, and bought his first ukulele because it was the cheapest instrument he could find.  He was given the nickname “Ukulele Ike” by a bar owner who couldn’t remember his actual name.  In 1918, he made a hit in Chicago with “Ja-Da” and was hired onto the vaudeville stage by Joe Frisco.  He made his first phonograph records in 1922 with Ladd’s Black Aces and Bailey’s Lucky Seven, for Gennett, and was signed to Pathé soon after.  Over the course of the 1920s, he made his way to the top, becoming one of the most successful singing stars in America, with numerous hits on record and stage.  In 1929, Edwards was brought into the world of moving pictures by Irving Thalberg, and made his mark on the budding talking pictures with his introduction of “Singin’ in the Rain” in The Hollywood Revue of 1929.  He continued to appear in movies through the 1930s, and provided the voice of Jiminy Cricket in Walt Disney’s production of Pinocchio in 1940.  His stardom in stage, screen, and radio faded over the course of the Great Depression, though he continued to work in show business for many years, still making sporadic appearances in the 1950s and ’60s.  In spite of his fame and success, Edwards was careless with his money, and died penniless of arteriosclerosis in 1971.  Most of his medical bills were paid by Walt Disney Productions.

Vocalion 2587 was recorded October 24 and 26, 1933 in New York City by Cliff Edwards.  Both sides feature tunes from the 1933 motion picture Take a Chance.  Edwards is accompanied by Dick McDonough on guitar on the first side, and Artie Bernstein on string bass on the second.

Here, Ukulele Ike croons the Depression-era classic “It’s Only a Paper Moon” from 1933’s Take a Chance, in which Edwards appeared.  One of my personal favorites.

It's Only a Paper Moon

It’s Only a Paper Moon, recorded October 24, 1933 by Cliff Edwards “Ukulele Ike”.

Next, he sings a less remembered, but equally excellent tune, Herman “Dodo” Hupfeld’s “Night Owl”.  I can relate.

Night Owl

Night Owl, recorded October 26, 1933 by Cliff Edwards “Ukulele Ike”.

Updated on May 31, 2017 and June 9, 2017, and with improved audio on April 1, 2018.

Brunswick 6291 – The Boswell Sisters – 1932

Vet Boswell in the early 1930s.

Vet Boswell in the early 1930s.

May 20 marks a most important occasion, the 105th birthday of most underappreciated of the three Boswell Sisters, Helvetia “Vet” Boswell, whose quiet disposition and propensity to avoid solos would lead to her later being remembered as (and I quote verbatim from a 1938 newspaper article) “the other sister.”

Helvetia George Boswell was born on May 20, 1911 in Birmingham, Alabama.  Vet had the misfortune of entering this world around the time her sister Connie was afflicted with the ailment that left her completely paralyzed for a period of time, and without proper use of her legs for the rest of her life.  Mother Meldania devoted most of her time in that period to Connie’s rehabilitation, and could not attend to the new (as yet unnamed) infant.  The new Boswell baby was soon named Helvetia, after the condensed milk on which she was reared.  In 1914, the Boswells moved to New Orleans, out of the cradle and into the cradle of jazz.  When she started school, Helvetia was upset that the kids had nicknamed her “Hel”. Mother Boswell would have none of that, and from then on she was “Vet”.  Later, her father came to call her “Iron Horse Vet”, and she was noted for her fondness for “pig sandwiches.”  As her sisters Martha and Connie pursued their musical ambitions with vigor, Vet was along for the ride, supporting the sister act, though she preferred other artistic endeavors such as painting and drawing.  Though she never took a solo part, she was an integral part of the harmony, and every bit as talented as her more gregarious older sisters.

After touring ’round the world and then some, Vet secretly married Texas oilman John Paul Jones in 1934. They would not make the marriage known until the next year.  Vet’s marriage, combined with Martha’s soon after, created tension within the group surrounding the sisters ability to balance their professional and married lives, which was aggravated (and potentially incited) by their manager and Connie’s soon-to-be husband Harry Leedy.  Tensions came to a head in 1936, and the group disbanded.  Taking up residence in Ontario, and later on in New York, adjustment to home life was not easy for Vet, who found her new life as a housewife lonesome compared to show business.  In 1936, she gave birth to her daughter, Vet Boswell Jones, or “Chica”.  Vet never returned to the show business, though she had one final stage reunion with her sisters in 1955.  Many years later, Vet made a celebrated homecoming to New Orleans.  She passed away at the age of 77 in 1988, the last surviving and longest lived of the Boswell Sisters.

Brunswick 6291 was recorded March 21, 1932 in New York City.  The Boswell Sisters are accompanied by the Dorsey Brothers’ Orchestra, consisting of Mannie Klein on trumpet, Tommy Dorsey on trombone, Jimmy Dorsey on clarinet and alto sax, Babe Russin on tenor sax, Martha Boswell on piano, Eddie Lang on guitar, Artie Bernstein on string bass, and Stan King on drums.

I carefully selected “Between the Devil and the Deep Blue Sea” for this occasion for one reason, it’s the only one I’m aware of that features anything resembling a solo vocal by Vet Boswell.  She can be heard singing the line “you’ve got me in between…”  If you want to hear a rare recording of Vet singing solo, I recommend picking up a copy of Their Music Goes Round and Round, featuring a rare home recording of Vet singing “I Can’t Give You Anything but Love”, available at the official Boswell Sisters Store.

Between the Devil and the Deep Blue Sea

Between the Devil and the Deep Blue Sea, recorded March 21, 1932 by the Boswell Sisters.

On the flip-side, the Bozzies perform one of their classic songs, the jazz standard “There’ll Be Some Changes Made”.

There'll Be Some Changes Made

There’ll Be Some Changes Made, recorded March 21, 1932 by the Boswell Sisters.