Born on this day 117 years ago was bandleader Gene Kardos, whose orchestra made quite a few decent selling records in the 1930s.
Eugene Kardos was born June 12, 1899 in New York City. He formed a territory band in the early 1930s, and first recorded for Victor, with his earliest output appearing on their short-lived Timely Tunes label, a number of further issues were on Electradisk. By 1932, he had moved to ARC, using a wide variety of pseudonyms, as well as his own name, and made a few records on the side for Crown under the name of his piano player, Joel Shaw. Kardos’ band tended to play on the hot side, and was competent with popular songs as well as the occasional jazz piece, though they adopted a “sweeter” style later in the 1930s, as did many bands of their type. In 1939, Kardos married and retired from music to pursue a career with the United States Post Office. He died in 1980.
Banner 32551 was recorded August 25, 1932 and December 18, 1931, respectively. Gene Kardos’ Orchestra assumes the name “Gene’s Merrymakers”, which they commonly used on their ARC releases.
On the first side, the Kardos band plays an excellent rendition of “High Society”. Thanks to a tip from Mr. Paul Lindemeyer, the probable personnel for Kardos’ band on this side has been identified as Sam Caspin and Red Hymie (Rosenblum) on trumpets, Pete Salemi on trombone, Moe Cohen and Nat Brown on clarinet and alto sax, Gabe Gelinas on clarinet and tenor sax, Joel Shaw on piano, Sol Sussman on banjo, Max Goodman on tuba, and Smith Howard on drums, with an arrangement by Bernie Green.
Strangely, though credited to Kardos, “Clarinet Marmalade” is actually played by the Casa Loma Orchestra.
I believe it was their only side issued on the ARC budget labels. I defer to the expert below (↓): it’s one of at least three Casa Loma sides appearing on the ARC dimestore labels, plus a later reissue of their 1931 “Alexander’s Ragtime Band”. Rust lists the personnel as Joe Hostetter, Grady Watts, and Bobby Jones on trumpets, Pee Wee Hunt and Billy Rauch on trombones, Clarence Hutchinrider on clarinet and alto sax, Kenny Sargent and Glen Gray on alto sax, Pat Davis on tenor sax, Mel Jenssen on violin, Joe Hall on piano, Gene Gifford on banjo and guitar, Stanley Dennis on bass, and Tony Briglia on drums.
Updated on June 24 and September 24, 2016, and May 29, 2017.
Reasonably sure the CLO did some pop ballad stuff for the ARC dime store labels early in 1932. Not many, 2-4 sides, perhaps as a redo of some titles rejected by another band.
High Society is another chart by Bernie Green, who did a whole series of early jazz chestnuts in what might have been called a “modern” style if it hadn’t been pushed off the edge of history by the swing era. Kardos recorded San, Milenberg Joys, Old Fashioned Love, Old Apple Tree and several others.
Here is Perfect 15556, credited to Bob Causer’s Cornellians (an ARC cover name) but recognizably Casa Loma and sung by Kenny Sargent. Recorded January 2, 1932, apparently as redo’s of a rejected coupling by Red Nichols.
***WARNING: SWEET MUSIC***
“Delishious” – https://www.youtube.com/watch?v=7w3uJF825XU
‘Somebody from Somewhere” – https://www.youtube.com/watch?v=S5pMSuDGIqs
Well I’ll be, so they did. I wasn’t aware those recordings, and I appreciate the correction.
As a side note, I was always under the impression that “Bob Causer and his Cornellians” was just a pseudonym used for other groups, but I once saw a photograph on eBay of an actual band going by that name.
Yep, Causer was, I believe, a hotel operator in Ithaca, NY, and led the band in his own establishment.
Personnel for the Kardos date is probably: Sam Caspin-Red Hymie (Rosenblum)-t/Pete Salemi-tb/Moe Cohen-Nat Brown-cl-as/Gabe Gelinas-cl-ts/Joel Shaw-p/Sol Sussman-bj/Max Goodman-bb/Smith Howard-d/Bernie Green-arr. IIRC, Hymie was hot trumpet, Brown, hot clarinet.
Thank you for that information, I’ve added it to the article (with due credit, of course).