Okeh 45313 – Frank Hutchison – 1928

Born on this day (March 20) was Frank Hutchison, one of the outstanding players in early recorded music, and one of the earliest white musicians to record blues.

Hutchison was born in 1897 (per his birth certificate, though some sources suggest an 1891 date, see Mr. Scott’s comment below) in Logan County, West Virginia.  He made his living working in the coal mines, but was also a versatile musician, skilled in guitar, which he frequently played using a slide, harmonica, and vocals.  In September of 1926, Hutchison made his first recordings for the Okeh Phonograph Company, starting with one of his most famous numbers, “Worried Blues”.  From 1926 to 1929, Hutchison cut forty-one sides, all for Okeh, and appeared on Okeh’s “Medicine Show” a set of records highlighting Okeh’s top hillbilly artists, much like Columbia’s “A Corn Licker Still in Georgia” series, and so forth.  After making his records and ending his work in the coal mines, he opened a store and served as postmaster of Lake, West Virginia.  Tragically, Hutchison lost everything and became an alcoholic when the store burned down.  He later relocated to Ohio and worked as a musician on riverboats.  Hutchison died of liver disease in 1945.

Okeh 45313 was recorded September 10 and 11, 1928 in New York City by Frank Hutchison.  These were Hutchison’s only sessions in 1928, and the latter was his second to last session overall.

As were a great many of Hutchison’s recordings, the humorous “The Burglar Man”—an old time song also recorded by the likes of Uncle Dave Macon—is nothing short of a guitar masterpiece.  This side was recorded on the latter date.

The Burglar Man, recorded

The Burglar Man, recorded September 11, 1928 by Frank Hutchison.

On his rendition of the old minstrel song “Alabama Girl, Ain’t You Comin’ Out Tonight?”, Hutchison is joined by Sherman Lawson on fiddle.  This one is one of three issued Hutchison sides to feature Lawson.  This side was recorded on the September 10 date.

Alabama Girl, Ain't You Comin' Out To-Night, recorded

Alabama Girl, Ain’t You Comin’ Out Tonight, recorded September 10, 1928 by Frank Hutchison.

Updated with improved audio on September 11, 2017, and on October 29, 2017.

Recordisc Home Recording – Jess & Frank – c.1941

I tend to pick up home recordings and lacquer discs when I see them, providing the price is right.  Sometimes, the quality of sound on them is surprisingly decent, but often, they sound terrible.  What you’ll find on those discs is also a crapshoot, oftentimes I’ve found families marking a special occasion, or the ubiquitous child’s recital of a song or instrument.  Once I even found a bawdy comedy skit.  However, rarely do I ever turn up anything musically exciting.

Recently, I picked up about five lacquer discs.  One of them was a recording of a local family’s Thanksgiving in 1944, one an unintelligible recording of children’s voices, another was an unusual cornet performance.  One completely unmarked disc contained a pair of very enjoyable piano solos that I’ll post here at a later date.  Then there was this one.  When I came to this one, I put the needle on the record, curious to hear what secrets it had concealed for so many years, I was thrilled to hear a great old time fiddle and guitar duet burst to life.  Then, after about five seconds of play, the stylus skated all the way across the disc to the label.  Unfortunately, despite (or perhaps because of) the record’s excellent musical content, the lacquer surface of the home recording disc was in absolutely dismal condition, bubbled and cracked, with large worn passages.

Nevertheless, I knew I had to figure out a way to coax those tunes out of these shallow old grooves.  Eventually, I wound up using two methods to transfer the two sides of this eccentric disc.  On the first one, I rigged up a very unconventional method of tracking the grooves by tying a string to the tone-arm and guiding it by hand.  On the flip, I managed to get it to track with an LP stylus at 45 RPM, and changed the speed to 78 RPM on the computer.

On this presumably unique metal based lacquer disc, a fiddler and guitarist play two classic old time tunes.  Given the nature of this record, I know nothing of the identity of the artists.  It would stand to reason that they were based in North Texas, as I found the disc in Dallas.  My estimate for the date comes from the copyright date on the label, but it could have been made much later.

Please take warning, these transfers are not for the faint of heart, while the music is superb, the condition of the record is awful, making these a very noisy and distorted pair of transfers.  Since the record is virtually unplayable through normal means, I think they’re pretty decent under the circumstances.  If at any time in the future I figure out a way to get a better transfer of these, I’ll update this post.

First, J.L. Cosslly (?) and “Frank” play it slow and easy on “Saving Up Cupons [sic]“.  This side plays a bit more respectably than the next, and I find it quite listenable for the most part, though it begins to break up near the end.

Saving Up Cupons, recorded ? by .

Saving Up Cupons, recorded ? by J.L. Cosslly and Frank.

On the other side of the disc, “Jess and Frank” play “Give Me Back My 15¢”.  This side unfortunately has more than its fair share of skips and jumps, the worst being a passage from about twenty-five to thirty-five seconds that is greatly interrupted by a severe crack in the lacquer surface.

Give My Back My 15¢, recorded ? by Jess & Frank.

Give Me Back My 15¢, recorded ? by Jess & Frank.

Broadway 8114 – Harkins and Moran – 1927

I’ve been featuring a lot of jazz recently, and I think it’s about time for a change of pace, so today I offer this old time country record for your enjoyment.

When I bought my VV 4-4 Victrola a while back, along with it came a collection of about sixty or seventy records in the Victrola’s original albums.  Most of these records were standard popular fare of the 1920s: Gene Austin, Waring’s Pennsylvanians, and plenty of waltzes.  However, as I flipped to the last couple of pages in one album, I discovered three records on the Broadway label, which are always fun to find.  One of them was a popular song pairing, the other two were old time fiddle records.

This one, Broadway 8114 is credited to “Harkins and Moran”, an alliterative pseudonym for actual artists Sid Harkreader, fiddle and Grady Moore, guitar.  It was recorded in June of 1927 at the Chicago studios of the New York Recording Laboratories (of Paramount fame).  It was also issued on Paramount 3023, and “John Henry” was issued on Herwin 75532 with different backing.

The duo’s fine rendition of the old folk song “John Henry” is marred by a large edge flake that necessitated a small amount of audio restoration, but I think it cleaned up fairly well.  The same set of lyrics was sung by Harkreader’s associate Uncle Dave Macon in his memorable rendition.

John Henry, recorded June 1927 by Harkins and Moran.

John Henry, recorded June 1927 by Harkins and Moran.

On the flip side, Harkreader and Moore play the classic “Old Joe”, a track that was featured on Volume 2 of Yazoo’s compilation, “Times Ain’t Like They Used To Be: Early American Rural Music”.  Real fine fiddle music.

Old Joe, recorded in June 1927 by Harkins and Moran.

Old Joe, recorded June 1927 by Harkins and Moran.

Updated with improved audio on July 20, 2017.

Victor 23781 – Jimmie Rodgers – 1932

Around this time of the year, the weather starts to heat up, and on trees all around the South (and California), the peaches begin to ripen, so I figure what better time to listen to this classic by the Father of Country Music, Mr. Jimmie Rodgers.

Victor number 23781, issued in their special 23500 series intended for rural audiences, was recorded late in Jimmie Rodgers’ career on August 15 and 29, 1932 in Camden, New Jersey.  It was issued in April of 1933, a mere two months before Rodgers’ untimely death.  I had the fortune of finding this great record in the backroom of one of my favorite record stores down in Austin.

First up, Jimmie sings “Peach Picking Time Down in Georgia”, recorded on the earlier date, accompanied by members of Clayton McMichen’s Georgia Wildcats, including the great McMichen on fiddle, who shares composer’s credit for the tune, on fiddle, Oddie McWinders picking the banjo, and Hoyt “Slim” Bryant filling in for the ailing Rodgers on guitar.

Peach Picking Time Down in Georgia, recorded August ,1932 by Jimmie Rodgers.

Peach Picking Time Down in Georgia, recorded August 15, 1932 by Jimmie Rodgers.

Next, Jimmie sings the waltzy, western themed “Prairie Lullaby”, recorded on the later date, again with Slim Bryant on guitar, and an unknown accompaniment on two violins, clarinet, and piano.  This could be classified as one of Jimmie’s efforts to tailor his music to the tastes of the popular music consumer of 1932, still makes for fine listening.

Prairie Lullaby, recorded August 29, 1932 by Jimmie Rodgers.

Prairie Lullaby, recorded August 29, 1932 by Jimmie Rodgers.

Updated on January 1, 2017, and with improved audio on July 6, 2017.