Brunswick 4677 – Harry Richman with Earl Burtnett and his Los Angeles Biltmore Hotel Orchestra – 1930

Today, August 10th, marks the 120th birthday of one of my favorite vaudevillians, Harry Richman, so for your listening pleasure today, I present one of my favorite records of all time, one of the best of the many excellent songs by Irving Berlin, the great “Puttin’ on the Ritz” in its original iteration, performed by Richman, the song’s originator.  This is about as close as you can get to an “original recording” from an age when songwriters wrote their songs and all the record companies made their own records at about the same time.

Harry Richman, born Harold Reichman on August 10, 1895 in Cincinnati, Ohio, spent the bulk of the 1920s working the vaudeville circuit.  In 1926, he became a hit, starring in George White’s Scandals, and by 1930 scored himself the starring role in the motion picture “Puttin’ on the Ritz”.  The movie was not a huge success, due in part to Richman’s “overpowering” personality, but the movie’s titular theme song was a hit record for Richman.  Richman continued to perform as usual after that, debuting in 1932 what would become his radio theme, “I Love a Parade”.

Irving Berlin first penned “Puttin’ on the Ritz”, which would later become one of his most famous compositions, in May 1927, but did not publish it until December 1929. Its lyrics tell of the at the time common occurrence of White people visiting Harlem for the jazzy atmosphere cultivated by its black residents, a Jazz Age account of a time when, as Langston Hughes put it, “the Negro was in vogue”.  About fifteen years later, Berlin revised the song’s lyrics with more timely lyrics about the opulent lifestyle of Park Avenue dwellers, which are more commonly remembered today.

On Brunswick 4677, Harry Richman sings “Puttin’ on the Ritz” and “There’s Danger in Your Eyes, Cherie” from the motion picture Puttin’ on the Ritz, accompanied on both by Earl Burtnett’s Los Angeles Biltmore Hotel Orchestra.  Both sides were recorded January 30, 1930 in Los Angeles, California.  The Biltmore Hotel Orchestra consists of Fuzz Menge on trumpet, Fran Baker on cornet, Lank Menge on trombone, Hank and Gene Miller on clarinet and alto sax, Fred Stoddard on clarinet and tenor sax, Earl Burtnett on piano, Bill Grantham on banjo, Harry Robison on string bass, and Jess Kirkpatrick on drums.

On “A”, Richman sings, well, if you can’t figure that out yourself by now then you sure haven’t been paying much attention!

Puttin' on the Ritz, recorded January 30, 1930 by Harry Richman.

Puttin’ on the Ritz, recorded January 30, 1930 by Harry Richman.

And on the flip, Richman sings his own collaborative composition, “There’s Danger in Your Eyes, Chérie”.

There's Danger in Your Eyes Chérie, recorded January 30, 1930 by Harry Richman

There’s Danger in Your Eyes Chérie, recorded January 30, 1930 by Harry Richman.

Updated on June 24, 2016.

A Bluebird Dance Band Double Feature – B-5268 & B-5269 – 1933

Please note: this article dates to Old Time Blues’ first year and does not meet the standard of quality to which more recent postings are held.  Thank you for your understanding.

To break the monotony of all the jazz and blues, here’s a bit of a departure from the style of music I’ve been featuring here for the past couple weeks, two early 1930s dance band records on Victor’s Bluebird label.

In the early days of the Victor budget label, Bluebird featured, in addition to some great jazz and country, many excellent dance bands, which played the popular tunes of the day.  These two records, the consecutively numbered Bluebird B-5268 and B-5269, feature some of the popular hits of 1933, by Sam Robbins and Reggie Childs’ orchestras.

The first of the two is Bluebird B-5268, recorded on November 22, 1933 by Sam Robbins and his Hotel McAlpin Orchestra, and featuring on the “A” side the “down home” Billy Hill hit “The Old Spinning Wheel”.

The Old Spinning Wheel, recorded November 22, 1933 by Sam Robbins and his Hotel McAlpin Orchestra

They back it up with Zez Confrey and Byron Gay’s “Sittin’ on a Log (Pettin’ My Dog)”, both sides performed in a sweet style with a smooth sax section that puts one in mind of Guy Lombardo’s Royal Canadians.

Sittin’ On a Log (Pettin’ My Dog), recorded November 22, 1933 by Sam Robbins and his Hotel McAlpin Orchestra

The second disc, Bluebird B-5269, features Reggie Childs and his Hotel Roosevelt Orchestra (I presume he took over for Ben Bernie), playing Mack Gordon and Harry Revel’s “Did You Ever See a Dream Walking?”, from Sitting Pretty, with vocals by Don Howard, a performance that has long been one of my favorites in that genre.

Did You Ever See a Dream Walking, recorded November 27, 1933 by Reggie Childs and his Hotel Roosevelt Orchestra

On the other side, a real tour de force on “Many Moons Ago”, another Gordon and Revel tune, with a vocal by Duke Durbin.  Both sides were recorded on November 27, 1933, five days after the previous record.

Many Moons Ago recorded November 27, 1933 by Reggie Childs and his Hotel Roosevelt Orchestra.

Updated on April 28, 2018.