Broadcast Twelve 3203 – Carson Robison and his Pioneers – 1932

Posted on August 27, 2015 by R. Connor Montgomery

The other day I had the pleasure of acquiring a small selection of British records, which are always a treat for their diversity of content. Among my souvenirs was this one on the Broadcast Twelve label. Given that it is by an American artist, I first presumed that it was recorded in the United States and exported to the UK for pressing. However, I questioned whether Broadcast Twelve had ever even used imported masters, as some labels did, and I began to remember hearing about Carson Robison visiting Europe around the time the record was made.

Sure enough, in 1932, Carson Robison and his Pioneers embarked on one of the first country music tours of the British Isles, and Broadcast Twelve 3203 was recorded in London, England in May of 1932. Personnel includes Carson Robison on guitar, harmonica and vocal with John and Bill Mitchell on banjos and guitars, Frank Novak on string bass, and an unknown fiddle.

I don’t know why it is, but it seems like somehow American artists played with more vigor and gusto in recordings made while touring overseas.

On the first side, Robison’s Pioneers don’t disappoint with Stephen Foster’s “Oh! Susannah”, which features the Mitchell Brothers really tearing it up on their banjos. Seems to me, Carson Robison doesn’t get enough credit, the more I hear of him, the better I like his work.

Oh! Susannah, recorded May 1932 by Carson Robison and his Pioneers.

“Sweet Virginia” can’t live up to the standard set by the “A” side, though it does feature a nice piece of Carson Robison’s whistling, and a vocal by Pearl Pickens.

Sweet Virginia, recorded May 1932 by Carson Robison and his Pioneers.

Updated with improved audio on May 8, 2017, and on October 13, 2017.

Bluebird B-5587 – Riley Puckett – 1934

Posted on June 29, 2015 by R. Connor Montgomery

At one of my regular haunts the other day, I happened upon this exceptionally fine copy of what may be considered the great country singer Riley Puckett’s best record. As it happens, some of Puckett’s relatives in Georgia are close family friends of mine, so I thought it might be nice to whip up a quick post for this fine disc.

George Riley Puckett was born in 1894 in Dallas, Georgia. He was struck blind after a doctor threw salt in his eyes attempting to treat an infection. Around the time of his early performances, he was dubbed “The Bald Mountain Caruso.” Rising to become one of the most popular country musicians of the era, Puckett recorded both solo and with a number string bands, most notably Gid Tanner’s Skillet Lickers, from 1924 until 1941. He died of blood poisoning in 1946.

On Bluebird B-5587, Riley Puckett plays guitar and sings two of his finest songs, accompanied by the Skillet Lickers’ Ted Hawkins on mandolin. Both sides were recorded March 29, 1934 at the Texas Hotel in San Antonio, Texas.

On side “A”, Riley soulfully sings and yodels Carson Robison’s humorous tale of salvation on the wonderful “I’m Gettin’ Ready to Go”.

I’m Gettin’ Ready to Go, recorded March 29, 1934 by Riley Puckett.

On the “B” side, Puckett delivers a marvelous performance of one of his most famous songs, “Ragged but Right”.

Ragged but Right, recorded March 29, 1934 in San Antonio by Riley Puckett

Ragged but Right, recorded March 29, 1934 by Riley Puckett

Spotlight: Vernon Dalhart

Posted on June 22, 2015 by R. Connor Montgomery

Dalhart in 1927, from the Cover of "My Blue Ridge Mountain Home"

From the 1927 cover of “My Blue Ridge Mountain Home”

One of the most popular recording artists in his day, and one of the least appreciated today, is classically trained tenor-turned-country singer Vernon Dalhart. The first million-selling country artist, whose records enthralled the listeners of the 1920s, and sometimes annoy record collectors today because of their prevalence, a testament to his popularity.

The man who would become internationally famous as Vernon Dalhart was born Marion Try Slaughter II in the town of Jefferson, Texas on April 6, 1883 (some sources say 1881), son of Robert Marion “Bob” and Mary Jane Slaughter. Growing up on a ranch outside town, Try, who went by his middle name, learned to play the harmonica, kazoo, and Jew’s harp. The Slaughters, living up to their name, had a reputation as violent people, and when Try was ten in 1893, his uncle, also named Bob, shot his father following a dispute in the alley behind the Kahn Saloon in Jefferson.

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Supertone S2061 – Frank Luther and Carson Robison – 1929/1928

Posted on June 8, 2015 by R. Connor Montgomery

Carson Robison and Frank Luther as “Bud and Joe Billings”. From Victor catalog, 1930.

So far I’ve mostly shared jazz records, so I think it’s about time I broke the monotony with something a bit different, so here’s one of my favorite country records, by Frank Luther and Carson Robison.

Carson Robison started out his lengthy and prolific recording career as a guitar player for vaudevillian Wendell Hall in 1924, becoming a studio guitarist and whistler for Victor records. Later that year, he was teamed up with the classically trained hillbilly singer Vernon Dalhart, beginning a partnership that lasted until an acrimonious parting in 1928, and would define “citybilly” music. Soon after, Robison joined forces with minister-turned-singer and fellow Kansan Frank Luther, who had previously sung with the Revelers and as a popular dance band vocalist, and the pair went on to supersede Dalhart as some of the nation’s foremost country recording artists. Their partnership lasted until 1932, when Robison set sail with a new group to bring hillbilly music to the British Isles. Luther continued to record domestically.

Supertone S2061 was recorded on May 21, 1929 and December 10, 1928, respectively, in New York City. The two sides were originally issued apart, with the first side on Brunswick 425 and the second on Vocalion 5278. This Supertone was released around 1931, and draws its masters from the Brunswick/Vocalion catalog rather than the original Gennett masters, after the Brunswick Radio Corporation (a subsidiary of Warner Brothers Pictures) acquired the contract from the Starr Piano Company.

On the first side of Supertone S2061, Frank Luther and Carson Robison perform “Left My Gal in the Mountains”, one of many country songs written by Robison and recorded by the duo on numerous labels. The accompaniment—made up of Earl Oliver on cornet, probably Roy Smeck on steel guitar, and an unknown clarinettist and guitarist—adds a little jazz to the song.

Left My Gal in the Mountains, recorded May 21, 1929 by Frank Luther and Carson Robison.

On the flip-side, Luther, accompanied by Robison on guitar, sings Harry McClintock’s famous “Big Rock Candy Mountains” in an almost flawless imitation of Mac.

The Big Rock Candy Mountains, recorded December 13, 1928 by Frank Luther.

Updated on October 2, 2016, and June 10, 2017.