Velvet Tone 1859-V – Annette Hanshaw Accomp. by New England Yankees – 1929

October 18 marks the birthday of “Personality Girl” Annette Hanshaw, who was born on this day in 1901.  Hanshaw began recording for Pathé Records in 1926 and recorded for them for two years before moving to Columbia, where most of her records were issued on their Harmony, Velvet Tone, and Diva budget labels, with a small number on Okeh and Columbia.  She remained with Columbia until 1932, when she began a contract with the American Record Company which she maintained until her retirement from music in 1934.  Although her singing was beloved by fans, Hanshaw was not fond of her records, and in her own words “disliked all of them intensely.”

Velvet Tone 1859-V was recorded February 20, 1929 in New York City, and was also issued on Harmony 859-H and Diva 2859-G.  Miss Hanshaw is accompanied by the “New England Yankees”, actually Ben Selvin’s Columbia studio orchestra, which includes Tommy Dorsey and Tommy Gott on trumpets, Charlie Butterfield on trombone, Jimmy Dorsey on clarinet and alto sax, and Hank Stern or Joe Tarto on tuba, among several others who remain unknown.

First, Miss Hanshaw delivers a delightful performance of the 1929 classic “A Precious Little Thing Called Love” from The Shopworn Angel.

A Precious Little Thing Called Love,

A Precious Little Thing Called Love, recorded February 20, 1929 by Annette Hanshaw Accomp. by New England Yankees.

Next, she sings one of her signature songs, “Mean to Me”.

Mean to Me,

Mean to Me, recorded February 20, 1929 by Annette Hanshaw Accomp. by New England Yankees.

That’s all.

Updated on June 24, 2016.

Brunswick 3975 – Bennie Goodman’s Boys – 1928

Today, May 30, is Benny Goodman’s birthday, so what better way to celebrate than with one of his earliest records?

On June 4, 1928 in Chicago, Illinois, in what I believe was only his third session under his own name, future King of Swing Benny Goodman (credited here as “Bennie”) and his Boys recorded Shirt Tail Stomp and Blue, issued on Brunswick 3975.  Also recorded that day were Jungle Blues and Room 1411.

In addition to Goodman on clarinet, alto sax, and baritone sax, the band includes Jimmy McPartland on cornet, Glenn Miller and Tommy Dorsey on trombone, Fud Livingston on clarinet and tenor sax, Vic Breidis on piano, Dick Morgan on guitar, Benny’s brother Harry Goodman on tuba, and Ben Pollack on the drums.

According to legend, Shirt Tail Stomp was intended as a parody of Dixieland jazz and deliberately played as corny as possible, which, to the musicians surprise, turned out to be a hit with audiences.  Nevertheless, the excellent musicianship shows through, and it remains an excellent, if somewhat novel piece.

Shirt Tail Stomp, recorded June 4, 1928 by Bennie Goodman's Boys.

Shirt Tail Stomp, recorded June 4, 1928 by Bennie Goodman’s Boys.

On the flip-side, Benny’s Boys play a little slower on Blue, a 1922 Lou Handman, Grant Clark, and Edgar Leslie composition, credited on the label to Clark, Leslie and Pete Wendling.

Blue, recorded by Bennie Goodman's Boys

Blue, recorded June 4, 1928 by Bennie Goodman’s Boys.

Updated on June 24, 2016 and with improved audio on November 13, 2016 and May 28, 2017.