The nineteenth of November marks the anniversary of the birth of the legendary “Sentimental Gentleman of Swing”—Tommy Dorsey. I could pay tribute to him with some rare and obscure hot jazz disc from his early days, but frankly, I’d rather commemorate the occasion with my favorite of his records, one of his biggest swing hits.
The younger of the famed Dorsey Brothers, Thomas Francis Dorsey, Jr., was born on November 19, 1905 in Shenandoah, Pennsylvania, one of four Dorsey children, of whom three survived into adulthood. Tommy initially took up the trumpet as a boy in his father’s band, and later switched to trombone. He played both instruments proficiently throughout his career. Tommy got his first professional gig in 1921, when his brother Jimmy recommended him to replace trombonist Russ Morgan in Billy Lustig’s Scranton Sirens Orchestra, and both brothers played in that band until Jean Goldkette poached them for his own orchestra in 1923. Tommy made his first recordings with Goldkette in 1924, but remained in the band’s roster—which also famously included the likes of Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, and Eddie Lang—only until 1925, when he left to join the California Ramblers. and began working prolifically as a studio musician. Before departing, Tommy, along with other members of Goldkette’s orchestra, sat in at the first session of Bix Beiderbecke’s Rhythm Jugglers in 1925. Both Dorsey brothers joined “King of Jazz” Paul Whiteman’s orchestra in 1927. He made his first record under his own name in 1928: a pair of trumpet solos on the Okeh label. The Dorsey Brothers’ Orchestra also made their first records for Okeh in 1928, originally strictly as a recording band made up of studio men, an arrangement which continued into the 1930s. Not long after forming a “real” band around 1934 with a recording contract for Decca, Tommy—always the temperamental one—stormed off the stage in 1935, creating a rift between the brothers. Thereafter, the brothers split up; Jimmy continued to lead the former Dorsey Brothers’ Orchestra for Decca, while Tommy bought out Joe Haymes’ orchestra and began recording for Victor. Both Dorseys enjoyed great success leading their own orchestras, and the two became leading names as the swing era began.
With “I’m Getting Sentimental Over You” as his theme song, Dorsey’s orchestra was known for playing music on sweet side, but he also led a smaller jazz group: the Clambake Seven. Among the many hits to Tommy Dorsey’s name were “Song of India” and “Marie” in 1937, “I’ll Never Smile Again” in 1940, and “Opus No. 1” and “On the Sunny Side of the Street” in 1944, the latter two featuring arrangements by Sy Oliver. In 1939, Dorsey replaced vocalist Jack Leonard with a young man from Hoboken, who had previously made his first records with the orchestra of Harry James: Frank Sinatra. Sinatra remained in his band until 1942, when, as things tended to go with Tommy Dorsey, they parted ways acrimoniously. In 1947, both Dorsey brothers appeared in the biographical picture The Fabulous Dorseys, and in 1953, they finally reunited when Jimmy disbanded his own band was invited to join Tommy’s. Together once again, they began appearing on television. Tommy Dorsey died after choking in his sleep on November 26, 1956. Jimmy took over and led his band until his own death the following year. Like that of fellow bandleader Glenn Miller, the Tommy Dorsey Orchestra continued to operate and perform into the modern day.
Victor 25523 was recorded at RCA Victor’s Studio 2 in New York City on January 29, 1937 in a session supervised by Leonard Joy. The orchestra is made up of Bunny Berigan, Jimmy Welch, Joe Bauer, and Bob Cusumano on trumpets, Tommy Dorsey, Les Jenkins, and E. W. “Red” Bone on trombones, Joe Dixon on clarinet and alto sax, Fred Stulce and Clyde Roundson alto sax, Bud Freeman on tenor sax, Dick Jones on piano, Carmen Mastren on guitar, Gene Traxler on string bass, and Dave Tough on drums. It originally appeared with Victor’s “scroll” label, which was discontinued in 1937, this pressing dates to soon after, probably around 1938. It was Tommy Dorsey’s first big hit with his own orchestra, after his split with brother Jimmy.
On the “A” side, designated a “Swing Classic”, the boys swing the old “Song of India”, originally from Nikolai Rimsky-Korsakov’s 1896 opera Sadko, with an enticing arrangement by Dorsey.
On “B”, they play a song that’s truly near the top of my very long list of favorites, Irving Berlin’s “Marie”, with a lead vocal by Jack Leonard, backed by a chorus made up of members of the band—and a solid trumpet solo provided by Berigan. I tell you, all the really best swing records have Bunny Berigan in the lineup.