Victor 79174 – Orquesta Típica Mexicana “Anahuac” – 1926

On the fifth of May—Cinco de Mayo—we here in the United States celebrate General Ignacio Zaragoza’s 1862 victory over the French invaders at Puebla, for some reason.  I’d like to use the opportunity to dedicate a moment of time at Old Time Blues to a culture that I truly appreciate and admire—that of our neighbors south of the border, down Mexico way.

On this record, the Orquesta Típica Mexicana “Anahuac”, from Mexico City, plays two instrumental melodies of their homeland.  As such, it is in typical orquesta típica style, that is to say a small orchestra, usually comparable in size and function to an American dance band, albeit with different instrumentation.  Numerous típica orchestras representing various Hispanic nations made hundreds of records for Victor and other American record labels during the 1910s to 1930s.  The “Anahuac” orchestra made a total of eight sides, all recorded on two consecutive days in 1926.  Unlike the countless Mexican recordings made within the borders of the United States, such as the one featured here two years ago today. these were actually cut in Mexico and exported to the United States for pressing, only to be exported back to Mexico.  Unfortunately, original documentation for these recordings is lost, so I can offer precious little information regarding their history.

Victor 79174—in their 70000 “export” or “ethnic” series—was recorded on December 14 and 15, 1926, in Mexico City.  It was released in 1927 and remained in Victor’s catalog all the way until 1949.  This particular pressing dates to around the late 1930s or early 1940s.

Firstly, the Orquesta Típica Mexicana “Anahuac” plays a rather dramatic marcha (march) composed by José Briseño, titled “Patria”, or “Native Country”.

Patria, grabado diciembre 14, 1926 by Orquesta Típica Mexicana “Anahuac”.

On the reverse, they play a melody which you may recognize, a baile mexicano (Mexican dance) titled “Jarabe Tapatío”, better known to anglophone audiences as the “Mexican Hat Dance”.

Jarabe Tapatío, grabado diciembre 14, 1926 by Orquesta Típica Mexicana “Anahuac”.

Vocalion 8470 – Cuarteto Monterrey – 1932

With it being Cinco de Mayo, it seems like an appropriate time to post one of the only authentic Mexican records in the Old Time Blues collection (at least at the time of posting)—one of numerous such recordings made within the state of Texas in the 1920s and 1930s.  I can’t provide much information about this disc, as it falls outside of my typical milieu, and I don’t really know what resources to consult, but I’ll tell you what I am able to dig up.

Vocalion 8470, in their “ethnic” series, was recorded on December 5, 1932 in San Antonio, Texas, probably in the Gunter Hotel, by the Cuarteto Monterrey (or in English, shockingly enough, the “Monterrey Quartet”).  The full personnel is unknown to me, but instrumentation consists of mandolin and two guitars, though that would seem to make it a trío rather than a cuarteto.  Vocals are by Daniel Flores and Andrés Herrera, who likely also play the two guitars.  In addition to these two sides, they recorded at least twenty-four other sides for Vocalion.  A Cuarteto Monterrey also recorded for Okeh in 1930 which sounds to be the same group, but given the rather generic nature of the name, I can’t positively say whether it is.

Flores and Herrera recorded two sides previously, “Los Desocupados” and “Los Toros Puntales”, for Victor Records in 1931, also in San Antonio.

Their first tune, “La Bola”, was also issued on Brunswick 41551, and was later featured in 1996 on the Arhoolie compilation Orquestas de Cuerdas (The String Bands) – The End of a Tradition (1926-1938).

La Bola, grabado diciembre 5, 1932 por el Cuarteto Monterrey.

On the reverse, the quartet plays “Mancornadora de Mi Corazón”.  This tune has also had its time in the spotlight as part of the album Texas-Mexican Border Music Vol. 5 – The String Bands (End Of A Tradition).

Mancornadora de Mi Corazon, grabado diciembre 5, 1932 por el Cuarteto Monterrey.